AI+皖北文化 智慧教材 人 工 智 能 赋 能 下 大 学 英 语 “ 智 慧 教 材 ” 生 态 构 建 与 跨 学 科 融 合 实 践 研 究 成 果 宋皓 宿州学院

人工智能赋能下大学英语 “智慧教材” 生态构建与跨学科融合实践研究成果 AI+皖北文化 智慧教材 主编：宋皓 编者：曹怡然、殷佳绮、高倩倩、葛冬梅、胡倩倩 技术支持：余继飞 宿州学院 2026 年 12 月

前言 数字化转型是新时代高等外语教育改革的核心方向，《大学英语教学 指南（2020 版）》明确提出，要依托数字技术创新教学载体，推动本土 文化资源与外语教学深度融合，提升学生用外语讲述地方故事、开展跨文 化传播的综合能力。伴随生成式人工智能技术普及，AI 正在重塑教材开 发、资源供给、课堂训练全链条，为破解传统大学英语教材地域文化缺位、 练习形式单一、资源更新滞后等痛点提供全新路径。立足宿州学院皖北地 域办学定位与外国语学院学科建设实践，团队依托人工智能工具，打造这 本 AI 赋能下皖北文化主题电子版智慧大学英语教材，探索人工智能、地 方文化、大学英语跨学科融合的育人新范式。 本智慧教材由宿州学院外国语学院宋皓（博士、副教授）主持统筹、 整体架构设计与内容审定，24 级英语（师范）专业曹怡然、胡倩倩、高 倩倩、葛冬梅、胡倩倩同学全程参与素材整理、双语文本校对、配套习题 设计、插图素材筛选与电子文稿排版工作，24 计算机科学与技术专业的余 继飞同学制作电子书，形成“教师主导、学生协同、AI 辅助” 的多元共 建编写模式。在教材创作全过程中，团队充分发挥豆包 AI 多模态生成优 势：一方面批量挖掘、整理皖北历史文化名人、历史古迹、民俗非遗、饮 食戏曲、淮河文化、宿州地方风物等双语阅读素材，补齐本土文化英文语 料储备短板；另一方面借助 AI 生成适配单元主题的插画、情境配图，设 计分层阅读、翻译、口语情景任务等多样化配套练习，大幅丰富电子版教 材交互式、可视化学习资源，突破传统纸质教材静态、单一的局限，构建 集文本、图像、习题、拓展素材于一体的智慧教材生态。 区别于通用型大学英语教材，本教材锚定“AI 赋能 + 皖北文化”双 核心特色，兼顾语言工具性与文化育人价值。其一，立足皖北地域文化内 核，梳理皖北文化名人、楚汉文化、运河文化、淮海民俗、宿州奇石、泗

州戏、乡村振兴地方实践等特色主题，搭建完整本土文化双语内容体系， 着力解决外语课堂“本土文化失语”问题，引导学生建立地域文化自信， 掌握对外传播皖北故事的英语表达能力；其二，深度践行数智化教学理念， 将 AI 工具嵌入教材使用全流程，为教师提供可动态更新的教学素材库， 为学生提供分层、个性化语言训练模块，实现智能助学、以练促学；其三， 突出跨学科融合理念，打通人工智能技术、地域文化研究、英语语言教学 三大领域，打破单一外语课堂边界，为地方本科院校大学英语数字化教学、 校本特色教材开发提供可复制实践样本。 编写过程中，编写团队坚持理论研究与教学实践双向支撑，本教材亦 是人工智能赋能下大学英语“智慧教材”生态构建与跨学科融合实践课题 的阶段性落地成果。团队结合一线大学英语课堂教学真实需求，反复打磨 单元文本、调整习题梯度、优化图文搭配，兼顾非英语专业通识英语与英 语专业文化翻译、跨文化交际课程双重使用场景。同时，学生编者全程参 与素材筛选、译文润色、题型设计，在实践中锻炼语料搜集、双语转换、 教材开发能力，实现教材编写与专业实践教学有机结合。作为电子版智慧 教材，本书兼具开放性与成长性。依托 AI 工具的动态生成能力，后续可 根据教学反馈持续增补皖北文化新素材、更新智能练习模块、拓展多媒体 配套资源，形成可持续迭代的数字化教材生态。我们期望本教材能够为皖 北地区高校大学英语数字化改革提供特色载体，推动人工智能技术真正服 务于外语育人，让学生在语言学习中读懂皖北、用英语传播皖北，实现语 言能力、文化素养、数字素养协同提升。 限于编者学识与编写时限，教材中双语素材、习题设计、图文编排难 免存在疏漏与不足，恳请各位同行教师、广大读者批评指正，便于我们后 续依托 AI 工具持续修订完善。 2026 年 7 月

目录 前言 ................................................................................................................................................................ 3 第一章：传奇皖北・文脉永续 —— 皖北文化名人 ................................................................................... 6 Chapter One: Illustrious Wanbei Eternal Cultural Legacy Wanbei Cultural Celebrities................................ 6 第一节：皖北文化的精神密码............................................................................................................. 7 Preface: The Spiritual Code of Wanbei Culture ..................................................................................... 7 第二节 先秦哲思：文明的奠基者...................................................................................................... 12 Pre-Qin Philosophy: Founders of Civilization ...................................................................................... 12 第三节：汉唐雄风：功业的铸就者................................................................................................... 16 Han-Tang Grandeur: Achievers of Great Feats .................................................................................... 16 第四节：艺苑华章：美学的传承者................................................................................................... 25 Artistic Brilliance: Inheritors of Aesthetics .......................................................................................... 25 第三节：朱德群—— 国际艺术的使者.............................................................................................. 32 Zhu Dequn: The ambassador of international art .................................................................................. 32 第五节：家国情怀：精神的践行者................................................................................................... 36 Patriotism: Practitioners of Spirit）...................................................................................................... 36 第六节：皖北文化的当代回响........................................................................................................... 39 Epilogue: Contemporary Echoes of Wanbei Culture ............................................................................ 39 附录（Appendix） ............................................................................................................................... 40

第一章：传奇皖北・文脉永续 —— 皖北文化名人 Chapter One: Illustrious Wanbei Eternal Cultural Legacy Wanbei Cultural Celebrities

第一节：皖北文化的精神密码 The Spiritual Code of Wanbei Culture 一、地理与文化定位 Geographical & Cultural Positioning 地级市 下辖 宿州 埇桥区、砀山县、萧县、灵璧县、泗县 淮北 相山区、杜集区、烈山区、濉溪县 蚌埠 蚌山区、龙子湖区、禹会区、淮上区、怀远县、五河县、固镇县 亳州 谯城区、涡阳县、蒙城县、利辛县

阜阳 颍州区、颍东区、颍泉区、界首市、太和县、临泉县、阜南县、颍上县 淮南 田家庵区、大通区、谢家集区、八公山区、潘集区、凤台县、寿县 数据源自皖北_百度百科 (baidu.com) 皖北地区共辖宿州、淮北、蚌埠、亳州、阜阳、淮南 6 个地级市，是中原文化与江淮文化 的交汇带，既有“麦浪千里”的北方雄浑，又有“淮水汤汤”的南方灵秀，形成 “刚柔并济” 的独特气质。 Located north of the Huaihe River, Wanbei covers six cities (Fuyang, Bozhou, Suzhou, Huaibei, Bengbu, Huainan). As a convergence zone of Central Plains culture and Jianghuai culture, it boasts both the grandeur of northern China's "endless wheat fields" and the elegance of southern China's "surging Huaihe River", forging a unique temperament of "combining rigidity with softness". 二、皖北文化精神谱系 Spiritual Genealogy 皖北名人精神可概括为“三立”：以老庄为代表的“思想立根（追求宇宙真理）、以曹操 和管仲为代表的“功业立世”（践行经世济民）、以萧龙士和朱德群为代表的“艺术立心” （传递美学价值）。 The spirit of Wanbei celebrities can be summarized as "Three Establishments": "Establishing Roots with Thoughts" (pursuing universal truth) represented by Laozi and Zhuangzi ; "Establishing Achievements in the World" (practicing governance for the people) represented by Cao Cao and Guan

Zhong; "Establishing the Heart with Art" (conveying aesthetic value) represented by Xiao Longshi and Zhu Dequn. 三、皖北文化传播使命 Book Mission 打破“文化输出”的单向视角，以“故事化叙事 + 双语对照”，让海外读者从 “了解” 皖北名人到 “理解” 中国精神，实现 “各美其美，美美与共” 的跨文化对话。 Breaking the one-way perspective of "cultural export", this book adopts "storytelling + bilingual comparison" to help overseas readers move from "knowing" Wanbei celebrities to "understanding" Chinese spirit, realizing cross-cultural dialogue of "appreciating one's own beauty and the beauty of others, and sharing beauty together". 四、双语金句扩展 Words of Wisdom 皖北之传奇，在于思想的穿透力 —— 老庄的逍遥、管鲍的智略，早已融入中华文化的血 脉。1 The legend of Wanbei lies in the penetration of thoughts: the freedom of Laozi and Zhuangzi, the wisdom of Guan Zhon g and Bao Shuya, have long merged into the blood of Chinese culture. 2 五、词汇精选 Vocabulary 1 注 1：“管鲍”指管仲与鲍叔牙，二人“管鲍之交”是中国历史上知己的典范。 2 Note 1: "Guan Bao" refers to Guan Zhong and Bao Shuya, whose friendship ("Guan Bao's Friendship") is a model of bosom friends in Chinese history.

六、阅读理解 Reading Comprehension 1. How many cities are covered in Wanbei area? A. Four B. Five C. Six D. Seven Answer: C 2. What two cultures converge in Wanbei? A. Central Plains culture and Jianghuai culture B. Yellow River culture and Huaihe River culture C. Northern culture and southern coastal culture D. Confucian culture and Taoist culture Answer: A 3. Which group of figures stands for "Establishing Roots with Thoughts"? A. Cao Cao and Guan Zhong B. Laozi and Zhuangzi C. Xiao Longshi and Zhu Dequn D. Laozi and Cao Cao Answer: B 4. What method does the book use to introduce Wanbei celebrities? A. Data analysis and academic comments B. Storytelling plus bilingual comparison C. Single-sided cultural introduction D. Pure English academic essays Answer: B 5. What cross-cultural dialogue concept does the book realize? A. Culture from the west spreads to the east B. Appreciating one's own beauty and the beauty of others, and sharing beauty together C. Only promoting local culture to foreign countries D. Comparing the advantages of different national cultures Answer: B

七、头脑风暴 Brainstorm Directions: Write down at least 2 relevant English expressions for each question. Question 1 List English expressions for typical regional cultures of Wanbei. Sample Answers: Central Plains culture, Jianghuai culture, Huaihe River culture Question 2 List English expressions for representative Wanbei historical celebrities. Sample Answers: Laozi, Zhuangzi, Guan Zhong, Cao Cao Question 3 List English expressions for the core spiritual summary of Wanbei outstanding figures. Sample Answers: Three Establishments, Establishing Roots with Thoughts, Establishing Achievements in the World, Establishing the Heart with Art

第二节 先秦哲思：文明的奠基者 Pre-Qin Philosophy: Founders of Civilization 一、老子—— 道家思想的源头 Laozi：The origin of Taoist thought 人物档案 身份：春秋时期思想家，道家学派创始人，曾担任周王室 “守藏史”（掌管典籍的官员） Identity: A distinguished philosopher of the Spring and Autumn Period, founder of Taoism, once served as "Shou Cang Shi" (official in charge of classics) of the Zhou royal court. 故里：楚国苦县（今安徽涡阳），现存天静宫为道教圣地 Hometown: Ku County of the Chu State (now Guoyang, Anhui), where Tianjing Palace (a sacred site of Taoism) remains today. 图文解读 图片来源：涡阳天静宫老子像

Source: Laozi Statue in Tianjing Palace, Guoyang 老子骑青牛铜像坐落于安徽省亳州市涡阳县城西 S202 和 S307 省道交汇处，由紫铜锻造而成， 总重 15 吨，铜像本体高 7.4 米、长 7.6 米，连基座通高 15 米。 《道德经》竹简局部（现代工艺品）A fragment of the bamboo slips of Tao Te Ching

“道生一，一生二” 思想演化示意图（图片出处：知乎@神农图的周易经） Schematic Diagram of the Evolution of Laozi's Thought: "Tao begets one, one begets two, two begets three, three begets all things" 双语解说 老子以 “上善若水” 诠释处世智慧 —— 水滋养万物却不索取，顺应地形却不失力量，这种 “不争而善胜” 的哲学，是中国传统 “柔性智慧” 的核心。 Laozi interpreted life wisdom with "The highest good is like water" — water nourishes all things without asking for anything in return, adapts to the terrain without losing its power. This philosophy of "winning without contending" is the core of China's traditional "flexible wisdom". “无为而治” 并非 “无所作为”，而是反对 “过度干预”，主张遵循事物规律（如四季更替、 社会发展），这与现代 “可持续发展” 理念高度契合。 "Governing by non-action" does not mean "doing nothing", but opposes "excessive intervention" and advocates following the laws of things (such as the alternation of seasons and social development), which is highly consistent with the modern concept of "sustainable development". 二、庄子—— 逍遥精神的象征 Zhuangzi：The symbol of the carefree spirit

人物档案 身份（Identity）： 待补充 图文解读 双语解说 “庄周梦蝶” 的寓言（《庄子・齐物论》）—— 庄子梦见自己变成蝴蝶，醒来后不知是 “自己梦 到蝴蝶” 还是 “蝴蝶梦到自己”，这并非简单的 “虚实不分”，而是对 “主观与客观”“自我与 他人” 边界的哲学思考。 The fable of "Zhuangzi Dreaming of a Butterfly" (Zhuangzi ·On the Equality of Things) — Zhuangzi dreamed that he became a butterfly, and after waking up, he wondered whether it was "he dreaming of the butterfly" or "the butterfly dreaming of him". This is not a simple confusion between "reality and illusion", but a philosophical reflection on the boundaries between "subjectivity and objectivity" and "self and others".

第三节：汉唐雄风：功业的铸就者 Han-Tang Grandeur: Achievers of Great Feats 一、曹操—— 文武双全的枭雄 Cao Cao：A versatile and powerful hero 人物档案 时代背景：东汉末年（公元 184-220 年），朝政腐败、黄巾起义爆发，社会陷入 “群雄割据” 局面，曹操于公元 196 年 “挟天子以令诸侯”，定都许昌，逐步统一北方。 Historical Background: At the end of the Eastern Han Dynasty (184-220 AD), the imperial government was corrupt, the Yellow Turban Rebellion broke out, and society fell into a situation of "separatist regimes by warlords". In 196 AD, Cao Cao "controlled the Emperor to command the nobles", established the capital in Xuchang, and gradually unified northern China. 历史评价：西晋史学家陈寿在《三国志》中评价曹操 “抑可谓非常之人，超世之杰矣”，而 北宋司马光在《资治通鉴》中认可其 “治世之才”，但批评其 “挟主专权”，体现历史评价 的多元性。 Historical Evaluation: Chen Shou, a historian of the Western Jin Dynasty, commented in Records of the Three Kingdoms that Cao Cao "can be called an extraordinary person and a transcendent hero", while Sima Guang of the Northern Song Dynasty recognized his "talent for governing the world" in Zizhi Tongjian but criticized his "controlling the monarch and monopolizing power", reflecting the diversity of historical evaluations. 图文解读

曹操 “挟天子以令诸侯” 场景插画（公元 196 年，洛阳至许昌途中） Illustration of Cao Cao "Controlling the Emperor to Command the Nobles" (on the way from Luoyang to Xuchang, 196 AD)

《三国志》（陈寿著）宋刻本魏书部分 Records of the Three Kingdoms (by Chen Shou) and an excerpt from "Biography of Cao Cao" 双语解说 曹操的 “唯才是举” 政策（公元 210-217 年，三次发布《求贤令》）打破了 “门阀制度” 对 人才选拔的垄断 —— 即使是 “出身低微”“品行有瑕” 的人（如郭嘉、贾诩），只要有 “治 国用兵之术”，皆可重用，这一制度为曹魏政权储备了大量人才。 Cao Cao's policy of "appointing people based on talent" (issuing the "Decree of Seeking Talents" three times from 210 to 217 AD) broke the monopoly of the "aristocratic system" on talent selection — even people with "humble backgrounds" or "flawed conduct" (such as Guo Jia and Jia Xu) could be reused

as long as they had "the ability to govern the country and command the army". This system reserved a large number of talents for the Cao Wei regime. 经济上，曹操推行 “屯田制”（公元 196 年开始）—— 将无主土地分配给流民，分为 “军屯” （士兵耕种，供应军粮）和 “民屯”（农民耕种，缴纳赋税），使北方因战乱荒芜的土地重 新开垦，粮食产量大幅提升，为统一北方奠定经济基础。 Economically, Cao Cao implemented the "tuntian system" (starting from 196 AD) — allocating unowned land to refugees, divided into "military tuntian" (cultivated by soldiers to supply military rations) and "civilian tuntian" (cultivated by farmers to pay taxes). This reclaimed the land in northern China that had been left barren due to wars, significantly increased grain production, and laid an economic foundation for unifying northern China. 二、华佗—— 医道仁心的先驱 Hua Tuo：The pioneer of medical ethics and compassion 人物档案 身份：东汉末年医学家，精通 “内、外、妇、儿” 四科，尤其擅长外科手术，被后世尊为 “外科鼻祖”“神医华佗”，与 “医圣张仲景”（东汉）、“药王孙思邈”（唐代）并称 “古代三大医圣”。 Identity: A medical scientist at the end of the Eastern Han Dynasty, proficient in four medical disciplines ("internal medicine, surgery, gynecology, pediatrics"), especially good at surgical operations. He is respected by later generations as "the originator of surgery" and "divine doctor Hua Tuo", and is known as "the three ancient medical sages" together with "medical sage Zhang Zhongjing" (Eastern Han Dynasty) and "king of medicine Sun Simiao" (Tang Dynasty). 医学著作：曾著《青囊经》（记载外科手术与麻醉方剂），可惜失传，现存《中藏经》为后人 托名所作，但仍保留其部分医学思想。 Medical Works: He once wrote Qing Nang Jing (recording surgical operations and anesthetic prescriptions), which was unfortunately lost. The existing Zhong Zang Jing was written by later generations in his name, but still retains some of his medical thoughts. 图文解读

华佗为关羽 “刮骨疗毒” 场景插画 Illustration of Hua Tuo "Scraping the Bone to Treat Poison" for Guan Yu “五禽戏” 动作分解图（虎戏、鹿戏、熊戏、猿戏、鸟戏）及现代健身应用场景

Decomposed Diagram of "Five-Animal Exercises" (Tiger Exercise, Deer Exercise, Bear Exercise, Ape Exercise, Bird Exercise) and modern fitness application scenarios “麻沸散” 药材复原图 Restored Diagram of "Mafei Powder" Ingredients (speculated from historical materials to include datura flower, raw aconite, angelica dahurica, etc., with corresponding modern medical components marked) 双语解说 “麻沸散” 的发明（公元 2 世纪）比西方最早的麻醉剂（1846 年乙醚麻醉）早 1600 多年，其 原理是通过 “中枢神经抑制” 使患者失去痛觉，可用于 “腹部手术”（如肠吻合术），《后 汉书・华佗传》记载其 “须臾便如醉死无所知”，展现古代中医的外科技术高度。 The invention of "Mafei Powder" (2nd century AD) was more than 1,600 years earlier than the earliest anesthetic in the West (ether anesthesia in 1846). Its principle is to make patients lose pain through "central nervous system inhibition", which can be used for "abdominal operations" (such as intestinal anastomosis). Book of the Later Han ·Biography of Hua Tuo records that "in a moment, the patient is like drunk to death and unconscious", demonstrating the high level of surgical technology in ancient traditional Chinese medicine.

“五禽戏” 并非简单的 “模仿动物动作”，而是结合 “经络学说” 与 “气血运行”—— 虎 戏强肾、鹿戏强肝、熊戏强脾、猿戏强心、鸟戏强肺，通过 “动中求静” 实现 “强身健体、 预防疾病”，这与现代 “运动康复医学” 的理念不谋而合。 "Five-Animal Exercises" is not simply "imitating animal movements", but combines "meridian theory" and "qi and blood circulation" — Tiger Exercise strengthens the kidneys, Deer Exercise strengthens the liver, Bear Exercise strengthens the spleen, Ape Exercise strengthens the heart, and Bird Exercise strengthens the lungs. It achieves "strengthening the body and preventing diseases" through "seeking tranquility in movement", which coincides with the concept of modern "sports rehabilitation medicine". 三、嵇康—— 魏晋风骨的代表 Ji Kang：The representative of the Wei-Jin spirit 人物档案 身份：三国时期曹魏文学家、思想家、音乐家，“竹林七贤” 领袖，祖籍谯国铚县（今安徽 濉溪），崇尚 “玄学”，主张 “越名教而任自然”，与山涛、阮籍并称 “玄学三大家”。 Identity: A litterateur, thinker, and musician of the Cao Wei period in the Three Kingdoms, the leader of the "Seven Sages of the Bamboo Grove", with ancestral home in Zhi County of Qiao State (now Suixi, Anhui). He advocated "Xuanxue" (Neo-Taoism) and proposed "transcending Confucian ethics to follow nature", and was known as "the three great masters of Xuanxue" together with Shan Tao and Ruan Ji. 代表作品：散文《与山巨源绝交书》（表达不仕曹魏的决心）、音乐理论《声无哀乐论》（提 出 “音乐本身无情感，情感由听者产生” 的独特观点）。 Representative Works: Prose Letter of Breaking Off Friendship with Shan Juyuan (expressing the determination not to serve the Cao Wei regime), music theory On the Sound Having No Sorrow or Joy (proposing the unique view that "music itself has no emotion; emotions are produced by the listener"). 图文解读

嵇康在竹林中抚琴（弹奏《广陵散》）场景插画 Illustration of Ji Kang Playing the Guqin (performing Guangling San) in the bamboo grove 《广陵散》古琴谱 Fragment of the Guqin Score of Guangling San 双语解说

嵇康的 “越名教而任自然” 并非 “反对儒家”，而是批判当时 “名教异化”（如虚伪的礼教、 门阀制度的压迫），主张 “尊重个性自由”“顺应本性发展”，这种思想成为魏晋时期 “人 文觉醒” 的重要标志，影响后世陶渊明、李白等文人的 “隐逸情怀”。 Ji Kang's "transcending Confucian ethics to follow nature" did not mean "opposing Confucianism", but criticizing the "alienation of Confucian ethics" at that time (such as hypocritical etiquette and the oppression of the aristocratic system). He advocated "respecting individual freedom" and "following the development of nature", which became an important symbol of "humanistic awakening" in the Wei and Jin dynasties and influenced the "seclusion feelings" of later literati such as Tao Yuanming and Li Bai. 《广陵散》（又名《广陵止息》）是中国古代著名古琴曲，因嵇康临刑前弹奏而闻名 —— 公 元 262 年，嵇康因反对司马氏专权被处死，刑场上他 “索琴弹奏”，曲终叹曰 “《广陵散》 于今绝矣”，这一场景成为中国文化中 “文人风骨” 的经典象征。 Guangling San (also known as Guangling Zhi Xi) is a famous ancient Chinese guqin piece, which became well-known because Ji Kang played it before his execution. In 262 AD, Ji Kang was executed for opposing the Sima family's monopolization of power. On the execution ground, he "asked for a guqin and played it", and after finishing the piece, he sighed, "From now on, Guangling San will be lost forever". This scene has become a classic symbol of "literati integrity" in Chinese culture.

第四节：艺苑华章：美学的传承者 Artistic Brilliance: Inheritors of Aesthetics 一、萧龙士—— 江淮画派的宗师 Xiao Longshi: The master of the Jianghuai School of Painting 人物档案 艺术履历：萧龙士出身萧县书香世家，1923 年拜入齐白石门下，研习大写意花鸟；1949 年后历任 安徽师范学院美术系教授、安徽画院院长，1980 年被文化部授予 “中国当代国画大师” 称号， 其艺术生涯跨越近百年，见证中国近现代国画的转型与发展。 Artistic Resume: Xiao Longshi was born into a scholarly family in Xiao County. In 1923, he became a disciple of Qi Baishi, studying freehand flower-and-bird painting. After 1949, he served successively as a

professor in the Fine Arts Department of Anhui Normal College and president of Anhui Academy of Painting. In 1980, he was awarded the title of "Master of Contemporary Chinese Traditional Painting" by the Ministry of Culture. His artistic career spanned nearly a century, witnessing the transformation and development of modern Chinese traditional painting. 江淮画派定位：江淮画派由萧龙士奠基，核心是 “以皖北乡土为根，融南北画派之长”—— 既吸 收北方画派（如徐渭、八大山人）的雄浑笔墨，又融入南方画派（如吴昌硕）的灵动气韵，形成 “笔墨苍劲、意境质朴” 的独特风格，打破 “南秀北雄” 的传统画派壁垒。 Positioning of Jianghuai Painting School: The Jianghuai Painting School was founded by Xiao Longshi, with the core of "taking Wanbei local culture as the root and integrating the strengths of northern and southern painting schools". It not only absorbs the vigorous brushwork of northern painting schools (such as Xu Wei and Bada Shanren) but also integrates the flexible artistic conception of southern painting schools (such as Wu Changshuo), forming a unique style of "vigorous brushwork and simple artistic conception" and breaking the traditional barrier of "southern elegance and northern grandeur". 图文解说 萧龙士代表作《墨荷图》（1978 年作）全卷及局部特写 Complete Scroll and Close-Up of Xiao Longshi's Masterpiece Ink Lotus (Painted in 1978) 画面中荷叶以 “破墨法” 绘制，墨色浓淡交织，荷花用 “点染法” 勾勒，体现 “大写意不粗略， 重神似轻形似” 的艺术主张。 The lotus leaves in the painting are painted with the "broken ink technique", with interwoven light and dark ink; the lotus flowers are outlined with the "dot-dye technique", reflecting the artistic proposition of "freehand painting is not rough, emphasizing spiritual resemblance over formal resemblance"

萧龙士画兰草独创 “五笔分叶法”—— 以五笔连贯的线条勾勒兰叶，讲究 “疏密有致、长短交 错”，既表现兰草的挺拔姿态，又暗含 “君子之风” 的文化寓意（兰草在中国文化中象征高洁、 坚韧）。其《兰石图》中，石头用 “枯笔皴擦”，兰草用 “湿笔渲染”，干湿对比间凸显 “石之 刚、兰之柔” 的辩证美学。 Xiao Longshi created the unique "five-stroke leaf division technique" for painting orchid grass — using five coherent lines to outline orchid leaves, emphasizing "dense and sparse arrangement, interlaced long and short lines". This technique not only shows the upright posture of orchid grass but also implies the cultural meaning of "the demeanor of a gentleman" (orchid grass symbolizes nobility and tenacity in Chinese culture). In his Orchid and Stone, stones are painted with "dry brush texturing" and orchid grass with "wet brush rendering"; the contrast between dry and wet highlights the dialectical aesthetics of "the rigidity of stones and the softness of orchids". 萧龙士的艺术理念 “师法自然而高于自然”，体现在他对皖北乡土题材的挖掘 —— 其《淮北麦收 图》以大写意手法描绘农民收割小麦的场景，麦穗用 “点簇法” 密集排列，麦秆用 “长线条” 纵 向延伸，既还原皖北 “麦浪千里” 的乡土风貌，又通过 “浓墨重彩” 传递对劳动人民的敬意，实 现 “艺术美与生活美” 的统一。 Xiao Longshi's artistic concept of "learning from nature but transcending nature" is reflected in his exploration of Wanbei local themes. His Wheat Harvest in Northern Anhui depicts farmers harvesting wheat with freehand techniques: wheat ears are densely arranged with the "dot cluster technique", and wheat stalks are extended vertically with "long lines". This work not only restores the local scenery of "endless wheat fields" in Wanbei but also conveys respect for working people through "thick ink and heavy colors", realizing the unity of "artistic beauty and life beauty".

二、刘开渠—— 现代雕塑的泰斗 Liu Kaiqu: The master of modern sculpture 人物档案 教育与实践经历：刘开渠 1920 年考入北京美术学校，1928 年赴法国巴黎国立高等美术学校学习雕 塑，师从法国著名雕塑家保罗・朗多夫斯基（Paul Landowski，《自由女神像》手部雕塑创作者）； 1933 年回国后，主持杭州国立艺术专科学校雕塑系，首创 “雕塑与社会结合” 的教学理念，培养 了中国第一代现代雕塑家（如王朝闻、曾竹韶）。 Educational and Practical Experience：Liu Kaiqu was admitted to Beijing School of Fine Arts in 1920. In 1928, he went to study sculpture at the École Nationale Supérieure des Beaux-Arts in Paris, France, under the tutelage of the famous French sculptor Paul Landowski (creator of the hand sculpture of the Statue of Liberty). After returning to China in 1933, he presided over the Sculpture Department of Hangzhou National School of Art and pioneered the teaching concept of "combining sculpture with society", cultivating the first generation of modern Chinese sculptors (such as Wang Chaowen and Zeng Zhushao). 历史地位：刘开渠被誉为 “中国现代雕塑奠基人”，其核心贡献是 “将西方写实雕塑技法与中国 传统雕塑精神融合”—— 打破传统雕塑 “宗教化、装饰化” 的局限，让雕塑成为记录历史、歌颂 人民的艺术形式，代表作《人民英雄纪念碑浮雕》标志着中国现代雕塑的成熟。 Historical Status: Liu Kaiqu is known as "the founder of modern Chinese sculpture". His core contribution is "integrating Western realistic sculpture techniques with Chinese traditional sculpture spirit" — breaking the limitation of traditional sculpture being "religious and decorative", and making sculpture an artistic form

to record history and praise the people. His masterpiece Relief of the Monument to the People's Heroes marks the maturity of modern Chinese sculpture. 图文解读 《人民英雄纪念碑浮雕・胜利渡长江》（1958 年完成） Panorama and Close-Up (Group Portrait of Crossing River Soldiers) of Relief of Victorious Crossing of the Yangtze River on the Monument to the People's Heroes (Completed in 1958) 浮雕高 2 米、宽 4.4 米，采用 “高浮雕与浅浮雕结合” 技法，战士肌肉线条以 “写实手法” 刻画， 船帆褶皱以 “概括手法” 处理，凸显 “力量与动感” The relief is 2 meters high and 4.4 meters wide, using the technique of "combining high relief and low relief". The muscle lines of soldiers are depicted with "realistic techniques", and the folds of sails are handled with "generalized techniques", highlighting "strength and dynamism"

刘开渠在巴黎留学期间创作的《孙中山像》1931 年 现藏于巴黎国立高等美术学校） Portrait of Sun Yat-sen Created by Liu Kaiqu During His Study in Paris 1931 Now Collected in École Nationale Supérieure des Beaux-Arts) 作品采用西方写实雕塑技法，孙中山面部表情 “庄重而温和”，衣纹线条 “简洁而有力”，体现 东西方美学的早期融合 The work adopts Western realistic sculpture techniques, with Sun Yat-sen's facial expression "solemn and gentle" and the lines of clothing "simple and powerful", reflecting the early integration of Eastern and Western aesthetics

刘开渠雕塑工作室复原场景 Liu Kaiqu's Sculpture Studio 双语解说 刘开渠创作《胜利渡长江》时，创新采用 “分层叙事” 手法 —— 浮雕从左至右分为 “登船”“渡 江”“登陆” 三个场景，通过人物动作（如摇桨、冲锋）和道具（如战船、红旗）的串联，形成 “连续的历史画面”。这种手法既借鉴西方 “叙事性浮雕” 传统（如古希腊帕特农神庙浮雕）， 又融入中国 “连环画式” 的叙事逻辑，让观众能清晰理解 “渡江战役” 的历史进程。 When creating Victorious Crossing of the Yangtze River, Liu Kaiqu innovatively adopted the "layered narrative" technique — the relief is divided into three scenes from left to right: "boarding the ship", "crossing the river", and "landing". Through the connection of characters' movements (such as rowing, charging) and props (such as warships, red flags), a "continuous historical picture" is formed. This technique not only draws on the Western tradition of "narrative relief" (such as the relief of the Parthenon in ancient Greece) but also integrates the "comic-style" narrative logic of China, allowing the audience to clearly understand the historical process of the "Yangtze River Crossing Campaign". 刘开渠的雕塑注重 “精神内核的表达”，其《毛主席像》（1951 年）中，毛主席身着中山装，双 手背后，目光远视，通过 “挺直的身躯” 和 “坚定的眼神” 传递 “领袖的威严与亲民”；衣纹 处理摒弃 “繁琐装饰”，以 “流畅的曲线” 体现 “简约而大气” 的美学，这种 “形神兼备” 的 创作理念，成为中国现代肖像雕塑的典范。 Liu Kaiqu's sculptures focus on "the expression of spiritual core". In his Portrait of Chairman Mao (1951), Chairman Mao wears a Zhongshan suit, hands behind his back, and looks into the distance. Through the

"straight body" and "firm eyes", it conveys "the dignity and approachability of the leader". The treatment of clothing lines abandons "cumbersome decoration" and embodies the aesthetics of "simplicity and grandeur" with "smooth curves". This creative concept of "combining form and spirit" has become a model of modern Chinese portrait sculpture. 第三节：朱德群—— 国际艺术的使者 Zhu Dequn: The ambassador of international art 人物档案 艺术转型历程：朱德群早年学习传统国画，1935 年考入杭州国立艺术专科学校，受刘开渠、林风 眠影响接触西方绘画；1955 年赴法国巴黎定居后，逐渐从 “具象绘画” 转向 “抽象绘画”，1964 年举办首次抽象画展，作品以 “色彩浓郁、线条流动” 著称，1997 年成为法兰西学院艺术院首位 华人终身院士，打破该机构 200 余年的 “欧美艺术家垄断”。 Artistic Transformation Process: Zhu Dequn studied traditional Chinese painting in his early years. In 1935, he was admitted to Hangzhou National School of Art and came into contact with Western painting under the influence of Liu Kaiqu and Lin Fengmian. After settling in Paris, France, in 1955, he gradually shifted from

"figurative painting" to "abstract painting". In 1964, he held his first abstract painting exhibition, with works famous for "rich colors and flowing lines". In 1997, he became the first Chinese lifelong academician of the Académie des Beaux-Arts of the Institut de France, breaking the "monopoly of European and American artists" of this institution for more than 200 years. 艺术风格定位 朱德群的抽象艺术被称为 “东方意蕴的抽象表达”—— 其作品虽无具体物象，却融入中国传统美 学中的 “意境” 与 “气韵”，如《构图 No.123》中，蓝色与红色的交织似 “水墨晕染”，流动 的线条似 “书法笔势”，实现 “西方抽象形式与东方文化精神” 的深度融合。 Artistic Style Positioning Zhu Dequn's abstract art is called "abstract expression of Eastern artistic conception". Although his works have no specific images, they integrate the "artistic conception" and "vital energy" in traditional Chinese aesthetics. For example, in Composition No.123, the interweaving of blue and red is like "ink wash rendering", and the flowing lines are like "calligraphy brush strokes", realizing the in-depth integration of "Western abstract form and Eastern cultural spirit". 图文解读 朱德群代表作《色彩的交响》1986 现藏于上海美术馆） Complete Painting and Color Analysis Chart of Zhu Dequn's Masterpiece Symphony of Colors 1986 Now Collected in Shanghai Art Museum

作品以 “红、黄、蓝” 三原色为基础，通过 “色彩叠加” 形成 “橙、绿、紫” 间色，色彩过渡 似 “云雾流动”，体现 “自然光影的抽象化” The work is based on the three primary colors of "red, yellow, and blue", forming intermediate colors of "orange, green, and purple" through "color superposition". The color transition is like "flowing clouds and mist", reflecting the "abstraction of natural light and shadow" 1997 年朱德群在法兰西学院艺术院授勋仪式现场 Scene of Zhu Dequn's Award Ceremony at the Académie des Beaux-Arts of the Institut de France in 1997 (holding the academician certificate and medal) 授勋词评价其 “用色彩与线条搭建了东西方艺术沟通的桥梁” The award speech commented that he "built a bridge for the communication between Eastern and Western art with colors and lines"

朱德群创作手稿 Zhu's Creation Manuscripts 展现其从 “具象” 到 “抽象” 的艺术转型轨迹 Showing the trajectory of his artistic transformation from "figurative" to "abstract" 双语解说 朱德群的抽象绘画中，“书法笔意” 是核心元素 —— 其作品《狂草系列》中，黑色线条似 “狂草 书法的飞白”，线条的粗细、浓淡变化遵循 “书法的节奏韵律”，观众虽看不到具体文字，却能 感受到 “中国书法的动感与力量”。这种 “以抽象形式传递传统文脉” 的方式，让西方观众通过 视觉体验理解东方艺术的精神内核。 "Calligraphy brush intention" is a core element in Zhu Dequn's abstract paintings. In his Wild Cursive Script Series, the black lines are like "the flying white of wild cursive calligraphy", and the changes in the thickness and shade of the lines follow the "rhythm of calligraphy". Although the audience cannot see specific characters, they can feel the "dynamism and strength of Chinese calligraphy". This way of "conveying traditional cultural context through abstract form" allows Western audiences to understand the spiritual core of Eastern art through visual experience.

第五节：家国情怀：精神的践行者 Patriotism: Practitioners of Spirit） 一、徐树铮—— 领土主权的捍卫者 Xu Shuzheng 人物档案 身份：近代军事家、外交家 故里：萧县官桥镇 核心贡献：1919 年率部收复外蒙古，孙中山赞其 “上马杀贼，下马草檄”。 图文解读

徐树铮收复外蒙古时的合影 皇藏峪徐树铮墓现状图

二、方先觉—— 抗日战场的英雄 Fang Xianjue 人物档案 身份：抗日爱国将领 故里：萧县十方区（今属埇桥区） 核心贡献：1944 年率部坚守衡阳 47 天，创造抗战城市防守战奇迹，被誉为 “东方的莫斯科保 卫战”。 图文解读 主体图：衡阳保卫战战场复原图 辅图：方先觉获 “青天白日勋章” 的历史照片

第六节：皖北文化的当代回响 Epilogue: Contemporary Echoes of Wanbei Culture 精神传承：老庄哲思与当代心灵疗愈、管曹智慧与现代管理、艺苑精神与文化创新的联结。 传播路径：从 “萧县书画节” 到国际艺术展，皖北文化的全球化表达。 未来展望：以名人文化为支点，构建 “文旅融合” 的皖北文化传播体系。 皖北文化节活动集锦 海外皖北文化交流照片

附录（Appendix） 一、皖北文化名人名录 朝代 Dynasty 领域 Field 人物 Figure 核心贡献 Core Contribution 春秋 Spring and Autumn 哲学 Philosophy 老子 Laozi 著《道德经》，创立道家学派 Wrote Tao Te Ching, founded Taoism 东汉 Eastern Han 医学 Medicine 华佗 Hua Tuo 发明麻沸散，创五禽戏 Invented Mafei Powder, created Five- Animal Exercises 二、核心文化术语中英对照表 中文术语 Chinese Term 英文翻译 English Translation 文化解释 Cultural Explanation 江淮大写意画派 Jianghuai School of Freehand Brushwork 以萧龙士为代表，用简练笔墨表现物象 神韵，融合南北画派特点（Represented by Xiao Longshi, it expresses the charm of objects with concise brushwork, combining the characteristics of northern and southern painting schools） 建安文风 Jian'an Literary Style 以 “三曹”“七子” 为代表，风格刚 健悲凉，反映社会现实（Represented by the "Three Caos" and "Seven Masters",

it has a vigorous and sad style, reflecting social reality） 三、双语互动问答 为什么说老子的 “道法自然” 对现代环保有启示？ Why is Laozi's "Tao follows nature" instructive for modern environmental protection? “道法自然” 主张人类顺应自然规律，不破坏生态平衡，这与现代 “人与自然和谐共生” 的 环保理念一致。 "Tao follows nature" advocates that humans comply with natural laws and do not destroy the ecological balance, which is consistent with the modern environmental protection concept of "harmonious coexistence between humans and nature".