Mabiang Seni Art ResidencyMabiang Seni is a process-based art residency located just twenty minutes from central Ubud, currently offering eight rooms with plans to launch an independent contemporary art gallery. Rooted in the Balinese word “biang,” meaning mother and symbolizing origins or roots, the residency reflects its mission to provide a nurturing, deeply rooted environment for artists to explore and develop their creative visions. Located near the sacred water purification temple Goa Garba— whose name also relates to the Balinese word for “womb”—Mabiang Seni fosters artistic growth through dedicated space, practice, and constructive dialogue among artists. Looking ahead, it aims to contribute to Bali’s art ecosystem by supporting local and international artists, writers, curators, and creatives while building connections with museums, galleries, art spaces, and cultural institutions across the region.

Mabiang Seni Private Collection

Olen RiyantoKompas Thames & Hudson Intisari Artspace The Fashionisto Localbrand.co.id InStyle Magazine ID MABIANG SENIART RESIDENCY, BALIOlen Riyanto is a Chinese-Indonesian multidisciplinary artist working with mainly compositional drawings and soft sculptures. She manages Mabiang Seni Art Residency alongside her art practice. She sings Bossa Nova and Jazz, also curates on the side.After a brief stint in New York for her studies at School of Visual Arts and work, she now resides in Tampaksiring, Bali.PUBLICATIONS EXHIBITIONS BERTAMU Yearly Exhibition at Mabiang Seni Art Residency, Tampaksiring, Bali, Indonesia2026 Gadis. Wanita. Ibu. at Mana Uluwatu, Bali, Indonesia2025 Im/materiality Group Exhibition at Titik Dua, Ubud, Bali, Indonesia2023 JIA CURATED KIOSKS 02 at Pelataran Canggu, Bali, Indonesia2022 ART.JEC.TIVE Group Exhibition at Kopi AYA, Muara Karang, Jakarta, Indonesia2017 OVER THEIRS at K&P Gallery, Chelsea, NY2016 BFA Fine Arts Open Studios at SVA Fine Arts, Chelsea, NY2015 1994 | Bali

2026 Watercolor on paper with custom teak wood frame 39x31 cm IDR 7,150,000 It Was Inspired By Morandi MABIANG SENI CATALOGUE 2026 2026 Watercolor on paper with custom teak wood frame 39x31 cm IDR 7,150,000 Colorful Abyss 2026 Watercolor on paper with custom teak wood frame 39x31 cm IDR 7,150,000 The Chaos of Fems & Patterns 2026 Watercolor on paper with custom teak wood frame 39x31 cm IDR 7,150,000 Today I Like Green 2026 Watercolor on paper with custom teak wood frame 39x31 cm IDR 7,150,000 Lemon Blanket

AnrooMABIANG SENIART RESIDENCY, BALI Anroo (Roo) is a Jakarta-born, Bali-based artist whose critically admired work spans painting, sketching, and macrame. She is known for her complex and abstract images using a multitude of eco-friendly mediums such as raw cotton fabric, rope, bamboo and even wood. A self-taught artist, Anroo prefers macrame for the control and versatility the fiber material allows, and she sees its applications as practically endless. She is deeply committed to sharing her love and knowledge of macrame by organizing workshops all over Bali. Anroo has turned her love for creating into founding Wood and Rope and hosting a regular art community event since November 2020 and co-founded The Sketch Collective. 1992 | Bali

MABIANG SENI CATALOGUE 2026 2024 Acrylic on raw cotton canvas with macrame rope 40x80x3 cm (frame 42x82x5 cm) IDR 25,000,000 Three Part no. 1 2020 Acrylic on raw cotton canvas with macrame rope on drift wood 120x70 cm IDR 15,000,000 Lost and Found 2025 Acrylic on raw cotton canvas with macrame rope 70x20x3 cm (frame 72x22x5 cm) IDR 13,000,000 Dance of the Flowers 6

2020 Acrylic on raw cotton canvas with macrame rope 85x60x3 cm (frame 87x62x5 cm) IDR 21,000,000 Mind 2025 Acrylic on raw cotton canvas with cotton rope and teak wood 44x59x5 cm IDR 25,000,000 Season 8 MABIANG SENIART RESIDENCY, BALI

2026 Acrylic and cotton rope on canvas 50x85 cm IDR 14,250,000 Season 8 No 13 2026 Acrylic and cotton rope on canvas 50x85 cm IDR 14,250,000 Season 8 No 12 MABIANG SENI CATALOGUE 2026

ERIN İLKCAN ASLANMABIANG SENIART RESIDENCY, BALI Erin İlkcan Aslan is a multidisciplinary artist whose practice moves across painting, drawing, installation, performance, sound, video, photography, and text. With a background in philosophy and fine arts, his work explores mythology, ritual, memory, nature, and altered states of perception.. 1990 | Bali, Türkiye, Thailand Moving between Türkiye and Southeast Asia, particularly Thailand and Bali, Aslan develops his practice through encounters with different landscapes, cultures, and ceremonial traditions. Ancient archetypes appear throughout his work not as historical references, but as living forms that continue to inhabit contemporary experience. His wider practice also extends into artist-led cultural initiatives, interdisciplinary workshops, and international collaborations“The gods never disappeared. They simply learned to speak through us.” — Aslan

Dionysos & Maenads at Bali 2026 Acrylic on paper Six-piece installation 210 × 200 cm price : contact with representatives MABIANG SENI CATALOGUE 2026 EXHIBITIONS Heart of Fire at Room Kite Mansion, Muğla, Türkiye Maison de Rêve at İznik, Bursa, Türkiye Folklore — Miami Art Week, Miami, USA Contemporary Istanbul — Istanbul, Türkiye NFT Bali — Bali, Indonesia International Rome Art Fair — Rome, Italy 115 Best Digital Artists — New York City, USA2023202420232023202420242025 “Mythology, for me, does not belong to the past. It is a living language through which we continue to understand desire, transformation, nature, chaos, ecstasy, death, and renewal. Rather than illustrating mythology, I am interested in allowing it to happen again.”

Călin DumitrașcuMABIANG SENIART RESIDENCY, BALI Călin Dumitrașcu lives and works in Cluj- Napoca, Romania. Working in tempera, oil and watercolour, his practice focuses primarily on painting, concerned with still life and landscape. He approaches familiar subjects with a minimal, unadorned language, letting ordinary things carry a sense of fragility and passing, turning quiet observation into a reflection on presence and absence. EXHIBITIONS Treasury of forgotten places, AnnArt Gallery, Bucharest, Romania2023 Hiding in plain sight, Biju Gallery, Cluj-Napoca, Romania2023 Fifteen leaves, Contemporary Cluster, Rome, Italy2023 The past is a very insistent voice, Himera Gallery, Timisoara2025 Mabiang Seni anual exhibition, Bali, Indonesia2026 1997 | Romania “My work is drawn to what stands between presence and disappearance. A crab's skeleton, like a seashell, is a reminiscence of existence: a carapace that once enclosed a living body and now remains open and hollow, given over to the gaze. A mountain veiled in mist is caught in a similar uncertainty — massive yet half- erased, appearing and withdrawing at once. I am interested in this ambiguity, in images that refuse to fully resolve, where what we see remains suspended between what is there and what is already slipping away.”

MABIANG SENI CATALOGUE 2026 2025 Watercolor plein air on paper 36.8x26.6 cm IDR 10,400,000 Mount Batur 2025 Watercolor plein air on paper 36.8x26.7 cm IDR 10,400,000 Still Life with Crab

Cees van DijkMABIANG SENIART RESIDENCY, BALI Cees van Dijk is an Amsterdam-based Dutch painter whose work is driven by movement, material and instinct. His practice centres on a direct, physical approach to oil paint. Working primarily on large linen canvases, Van Dijk builds dense surfaces through sweeping gestures, splashes, dragged colour and thick impasto. His works are often created in series linked to a particular place, period or material history, including paintings made in Bali and works created on canvases and frames carrying traces of previous lives. The result is tactile abstraction in which energy, interruption and renewal remain visible. 1993 | Amsterdam “My work begins with movement rather than a finished image. I use oil paint as a physical material, pushing, dragging, pouring and layering it until the surface starts to resist me. I am interested in the tension between control and accident, and in allowing a work to retain the evidence of its making. Places, transitions and existing materials often provide the starting point, but each painting develops through action. The result is not intended as a fixed story, but as a record of momentum, friction and change.” "I paint until control and accident become impossible to separate." —Cees

TitleYearMediaSizeMABIANG SENI CATALOGUE 2026 2026 Oil on canvas 120x160 cm IDR 22,000,000 High Tide 2026 Oil on canvas 90x145 cm IDR 15,000,000 Slow Burning 2026 Oil on canvas 150x200 cm IDR 25,000,000 Internal Noise

Day KimMABIANG SENIART RESIDENCY, BALI Day Kim is a visual artist and CSULB Studio Arts graduate currently returning to the easel after a career in digital design and three years of life as a digital nomad. For Day, oil painting is a visceral exercise in presence—a move away from the screen toward a more fragile, activated physical process. After years on the move, she is focused on bridging the gap between childhood spontaneity and adult discipline, reclaiming the restorative vulnerability of the canvas. 1989 | Bali “My practice explores the tension between internal psychological states and the physical environment. Working primarily in oil, I embrace the medium's vulnerable qualities to translate shifting moods of solitude, melancholy, nostalgia, and comfort. Moving away from digital precision, I treat the canvas as a physical space for presence and emotional reckoning—translating the weight of lived experience into textured, tactile surfaces.”

MABIANG SENI CATALOGUE 2026 2026 Oil on cotton canvas 160x140 cm IDR 22,700,000 Untitled 2026 Oil on cotton canvas 112x75 cm IDR 21,000,000 Untitled

Gabriela CojocaruMABIANG SENIART RESIDENCY, BALI Gabriela Cojocaru is a contemporary visual artist based in Cluj-Napoca, Romania (Masters graduated), originally from Republic of Moldova. Grounded in classical mural traditions and contemporary painting, her practice examines the interplay between materiality, spatial perception, and human consciousness. Cojocaru builds rich, stratified surfaces where dream logic and physical reality intersect, using deliberate mark-making and tactile gestures to investigate memory, identity, and time. EXHIBITIONS ARTMiND, Galeria Paul Sima, Cluj-Napoca, Romania2025 Woman in Art Biennale, Artio Gallery, London, United Kingdom2024 ARTMiND(S), Galeria Paul Sima, Cluj- Napoca, Romania2025 JUNGE KUNST AUS CLUJ, FIVE PLUS Art Gallery, Vienna, Austria2025 Afterimage, Gallery Casa Matei, Cluj- Napoca, Romania2026 2001 | Romania

MABIANG SENI CATALOGUE 2026 2026 Mixed media on woodboard 160x140 cm IDR 24,700,000 (piece) IDR 190,000,000 (whole) Continuum: Tree & Becoming (I-VIII) “My artistic research investigates painting as an elastic threshold between the physical world and psychological space. Drawing from the structural logic of dreams, she composes layered, tactile surfaces that navigate the balance between order and entropy. By integrating traditional mural techniques with contemporary materiality, I treats the pictorial plane as a site where gesture and texture reveal unseen dimensions of human experience. My work establishes a contemplative space centered on memory, transformation, and temporal perception.

JeFaMABIANG SENIART RESIDENCY, BALI Jeko Fauzi born in Jakarta, raised by his parents with a passion for the arts. From 1981 to 1996, he participated in competitions, workshops, and seminars for students, and worked alongside his father, who was educated at the Indonesian Academy of Fine Arts (ASRI, now ISI), to create ads as well as film posters by hand. In 1999, he pursued a one-year diploma in Western Music at ANIMA Musik, Yogyakarta. In 2000-2026, he studied music at ISI Yogyakarta, specializing in music pedagogy for teenagers. While studying music in Yogyakarta, he was constantly inspired by my social circle, made up of students at ISI’s fine arts department. Since moving to Bali in 2007, he has released six solo albums and two singles. Besides making art, he compose, perform, and teach music. EXHIBITIONS 1979 | Bali Rooted Zin, Canggu, Bali2026 Rupa di Balik Batu Dalam Seniman, Renon, Bali2026 After Midnight Seken, curated by Full House, Bali2026 Street Cart Gallery Full House, Pererenan, Bali2026 Art In The Jungle Vol. II Ubud, Bali2026 Ubud Open Studios Mabiang Seni, Ubud, Bali2025 Voyage Black Stone Yacht Club, Denpasar, Bali2025 Art In The Jungle Vol. I Ubud, Bali 30x30 Art Hause, Sanur, Bali20242024 “I approach my art much like jazz improvisation, drawing from my background as a jazz musician and composer. My work reflects an interplay of materials and textures, using a variety of mediums including marker, ink, acrylic, cement, and cardboard to create a rich sensory experience. Inspired by human, nature and the animal kingdom, my art captures the rhythms and harmonies of the world around me and seeks to find a common ground between music and visual art.”

MABIANG SENI CATALOGUE 2026 2026 Acrylic on cardboard 33x33 cm IDR 13,600,000 Terima Kasih Untuk Hari Ini, Kemarin Dan Esok. 2026 Acrylic on cardboard 33x33 cm IDR 11,800,000 A Struggle Within Witness 2026 Acrylic on cardboard 33x33 cm IDR 8,100,000 Nut and Bolt 2026 Acrylic on cardboard 33x33 cm IDR 8,100,000 May 98 2026 Acrylic on cardboard 33x33 cm IDR 12,700,000 Before Returning To Work

KendisanDetik Bali Bali Art Guide Fimela Reportase Bali MABIANG SENIART RESIDENCY, BALI Kendisan studied Film at the Rhode Island School of Design (RISD, 2010), where she continued to nurture her love for drawing, painting, and storytelling, and worked as a teaching assistant for multiple figure drawing classes for adults. In 2024, she was a finalist in the 14th UOB Painting of the Year Exhibition in the Emerging Artist category, the same year she began exhibiting. Her art has been exhibited in Jakarta and Bali, where she now lives.PUBLICATIONS EXHIBITIONS Intuitive Pekerti by Ruang Fungsi, Crate Concept, Bali2026 Through Her Eyes Como Uma Ubud, Bali2025 Liana Reverie: Vivid Colours Labyrinth Art Gallery, Nuanu Creative City, Bali2025 Beragam Lini Ruang Fungsi, Seminyak, Bali2025 14th UoB Painting of the Year A. A. Maramis Building, Jakarta2024 1983 | Bali “Painting human figures within fictional landscapes gives me a way to reimagine humanity as a non- central element in the environment we live in and to create as well as inhabit spaces where the boundary between us and nature softens. Working in oil requires me to balance intuition with slowness, allowing unexpected tensions to unfold unhurriedly. I tend to use large gestures and saturated colors, mostly through minimal premixing, to maintain spontaneity.“

MABIANG SENI CATALOGUE 2026 2025 Oil on canvas 120x100 cm IDR 25,000,000 Monologue 2025 Oil on canvas 50x40 cm IDR 5,400,000 The Strange Girl and Her Paper Boat 2025 Oil on canvas 100x120 cm IDR 25,000,000 Reverie

Landon ScottMABIANG SENIART RESIDENCY, BALI Landon is a life long artist who took a hiatus from his passion to focus on his career and growing family. After becoming a father, he was called back into art through his daughter, and it became ritual for them to create each night together before bedtime. The piece shown here is one of their inspired collaborations titled "Bella and Connie." Landon adventures into his imagination to create freeform art that is whimsical and abstract, drawing inspiration from music, his children, and his environment. His work is mixed media created through experimentation by blending and layering pens, markers and acrylics. 1987 | Bali

MABIANG SENI CATALOGUE 2026 2025 Mixed media on canvas 100x60 cm IDR 20,000,000 Give Life Color 2025 Mixed media on canvas 86x65 cm IDR 36,000,000 Arjuna - Wayang Kulit 2025 Mixed media on canvas 85x65 cm IDR 36,000,000 Semar - Wayang Kulit 2025 Mixed media on canvas 78x65 cm IDR 36,000,000 The Land of Misfits

George PopovMABIANG SENIART RESIDENCY, BALI George Popov (b. 1989) is a contemporary figurative painter based in Bali. His works explore reality, truth, knowledge, human relationships, and the connection between individuals and the world around them. He also investigates states of inspiration, insight, and elevation experienced throughout life, using vivid, vibrant colors to express these themes. EXHIBITIONS JIAF (Jogja International Art Fair) Yogyakarta, Indonesia2026 Ubud Open Studios Mabiang Seni Art Residency, Bali2025 - 2026 Rumpun Kogane-cho Garden, Yokohama, Japan2023 Shape of Memory Titik Dua, Bali, Indonesia2022 1989 | Bali “My style blends surrealism with a minimalistic approach to neo-baroque aesthetics. I work with a pure, bright color palette, creating complex combinations of strong and translucent tones. This distinctive contrast gives my work a unique visual depth and clarity. I am currently a resident artist at Mabiang Seni Art Residency in Ubud, Bali, where I deeply engaged in the residency’s artistic processes and community. Through sustained studio practice, collaboration, and research within this context, I continue to develop conceptually driven and introspective bodies of work.” “I paint to capture fleeting moments when reality opens into something beyond itself.” — Popov

MABIANG SENI CATALOGUE 2026 2026 Acrylic and oil pastel on cotton canvas 50x50 cm IDR 26,000,000 The Last Seed 2026 Acrylic and oil pastel on cotton canvas 50x50 cm IDR 25,000,000 Before Meaning Blue 2025 Acrylic and oil pastel on cotton canvas 78x156 cm IDR 79,000,000 Gelia 2025 Acrylic and oil pastel on cotton canvas 150x230 cm IDR 108,000,000 Amber Mind

Rezky AfrizaMABIANG SENIART RESIDENCY, BALI Rezky Afriza is the Design Director of Suasana Studio, with extensive experience in the design industry. He has also served as a part-time lecturer at Raffles Jakarta Higher Education. He is an accomplished arts and design professional, holding a Bachelor’s degree in Architectural Engineering from Parahyangan Catholic University. As an artist and designer with a background in architectural engineering, Rezky’s practice navigates the intersections of space, memory, nature, and human consciousness. Through painting and installation, he translates abstract concepts into tangible forms, exploring how environments shape our internal experiences. Rooted in a deep engagement with natural systems and personal narratives, his work seeks to reveal the often-invisible processes of memory, time, and perception . EXHIBITIONS2026 Gerobak Gallery Group Exhibition Full House, Pererenan, Bali2026 Art in Jungle Ubud Permaculture, Bali20262026 JIA Curated Architecture Festival Sanur, Bali2026 Held in Common Group Exhibition Biji Art Space, Ubud2025 Shape of Memory Titik Dua, Ubud2024 Rupa di Balik Batu Dalam Seniman, Renon, Bali BERTAMU Yearly Exhibition at Mabiang Seni Art Residency, Tampaksiring, Bali, Indonesia 1989 | Bali, Jakarta “My practice explores the relationship between memory, materiality, and spatial perception through painting, drawing, and mixed-media experimentation. I am interested in how everyday surfaces, food culture, architectural forms, and traces of human activity carry emotional and cultural resonance. Through layering, texture, repetition, and subtle spatial shifts, I created atmospheric compositions that translate embodied experiences into visual form. Rather than directly representing places or objects, my work investigates how spaces are sensed, remembered, and reconstructed through the body.“

MABIANG SENI CATALOGUE 2026 2026 Acrylic on canvas 100x70 cm IDR 20,000,000 Wall 2 (Series) “Balancing intuition with research-driven inquiry, I draw from lived experiences, daily observations, and material encounters, allowing each work to evolve organically over time. My process often involves experimentation with texture, distortion, and layered surfaces, resulting in paintings and installations that function as spatial reflections between personal memory and collective experience. Through this practice, I seek to create contemplative visual languages that explore transformation, human presence, and the fragile relationship between bodies and their environments.” 2025 Acrylic on canvas 50x70 cm IDR 12,000,000 Above 2025 Acrylic on canvas 140x150 cm IDR 40,000,000 Wall (Series) 2025 Acrylic on canvas 33x177 cm IDR 17,000,000 Orbital

Sofiya ShukovaMABIANG SENIART RESIDENCY, BALI Sofiya Shukhova (she/her) is an environmental artist. In her practice, art, mindfulness, and nature conservation go hand in hand. Born in Moscow and living in Bali since 2023, Sofiya’s work explores the fragile balance between nature and human life. Making helps her process her own grief for the vanishing wild world, but more importantly, she hopes it stirs something in others — a sense of care, responsibility, or simply the urge to look closer. Her artworks have been exhibited in Singapore, US, UK, Russia and Indonesia. Her last solo exhibition 'Echoes of the Tide' was held in Tat Art Space in Denpasar in 2025. EXHIBITIONS Ubud Open Studios Ubud, Bali, Indonesia2026 Art&Bali Nuanu, Bali, Indonesia2025 Echoes of The Tide TAT Art Space, Bali, Indonesia2025 Waves of Change Festival Artscience Museum, Singapore2023 Re-Imagining Conservation: From Many Viewpoints National Museum of Wildlife Art, US2023 1993 | Bali “My art is my way of listening to what nature is trying to tell us and asking what happens when we do not.” — Sofiya

MABIANG SENI CATALOGUE 20262026Found marine litter on canvas25x20 cm IDR 7,000,000Feed Me Plastic “I am drawn to telling the stories of fragile places and creatures standing on the edge of disappearing.— (From left) (From right)

2023 Wooden masks, found fishing ropes and floats, metal stand 22x20x66 cm IDR 25,000,000 Hypocrisy —The process often begins with play: gathering garbage from the ocean shore, wandering, wondering, searching, noticing what's lost or abandoned. When I'm not in the field, I study the science behind human impact on nature, remembering that we too are part of it, through self-learning and through collaborations. — MABIANG SENIART RESIDENCY, BALI

—Movement, an improvised dance, is another research tool I use to respond to a landscape, a creature, a piece of trash. My body draws its own parallel to what time does to the Earth when we don’t take care for it, it’s yet another fragile, disappearing substance that deserves to flourish, move, and be made to feel alive while it lasts.— 2025 Found marine litter on canvas 60x40 cm IDR 7,000,000 Footprint 2026 Found marine litter on canvas 60x40 cm IDR 9,000,000 Plastic Vessels — I work with what is at hand: trash, charcoal, clay, thread, my own body. Refusing to discriminate against any medium. Making helps me grieve the vanishing wild world and celebrate its lively patches. The final result; whether an installation made of abandoned fishing nets, a sketch painted with shark blood scooped from the floor of a fishing market, or a performance responding to the ocean soundscape, I hope it stirs reflection in others.” MABIANG SENI CATALOGUE 2026

Ataya ArtisiaAtaya Artisia (b. 1996, Moscow) is an artist based in Bali, where she has lived and worked since 2018. Her practice spans painting and mixed media. At the core of her artistic practice is an exploration of form as a manifestation of life — its emergence, growth, transformation, and interaction with its environment. Drawing on structures found in the natural world — from microscopic organisms to botanical and marine forms — she transforms them into a distinct language of abstract imagery. Working with layered acrylic combined with plaster and sand, she creates highly textured compositions in which organic structures interact with geometry, color, and rhythm. Her visual language exists at the intersection of biomorphic and geometric abstraction, creating images in which primordial structures of the natural world take on strange, almost otherworldly forms. 1996 | Bali “I work in the language of biomorphic abstraction: forms that recall the structures of cells, organisms, and living tissue without ever depicting them literally. This visual vocabulary lets my paintings inhabit the space between recognition and mystery: familiar enough to feel alive, strange enough to resist being named.— MABIANG SENIART RESIDENCY, BALI

2025 Acrylic, plaster, sand on canvas 140x100 cm IDR 60,000,000 Symmetry of Play —My practice grows from a single question: how did life begin, and why is it possible at all. Against the backdrop of a cold, indifferent universe, life appears as an anomaly; matter that does not simply exist, but resists decay. The cell, the organism, the species, civilization; each level generates order, new forms, and, in their wake, meaning, even as physics dictates the collapse of every structure.— MABIANG SENI CATALOGUE 2026

—My practice grows from a single question: how did life begin, and why is it possible at all. Against the backdrop of a cold, indifferent universe, life appears as an anomaly; matter that does not simply exist, but resists decay. The cell, the organism, the species, civilization; each level generates order, new forms, and, in their wake, meaning, even as physics dictates the collapse of every structure.— 2025 Acrylic, plaster, sand on canvas 60x60 cm each IDR 8,000,000 (each) Soft Creatures 2024 Acrylic, plaster on canvas 100x100 cm IDR 20,000,000 Floral Paw MABIANG SENIART RESIDENCY, BALI

MABIANG SENI CATALOGUE 2026 2026 Air-dry clay, epoxy resin 17x8 cm IDR 3,500,000 Receiver 2026 Air-dry clay, epoxy resin 14x9 cm IDR 3,500,000 Seed Pod 2026 Air-dry clay, epoxy resin 13x6,5 cm IDR 3,500,000 A Venusian’s Rattle —I am fascinated by this paradox: life continuously reproduces itself, repairs, mutates, adapts, selecting successful forms and discarding failed ones. It is infinitely fragile in each individual embodiment and remarkably tenacious as a process. Arising from blind chemistry, it behaves as though it wants something.— My work begins differently each time, sometimes with an impulse that isn’t yet understood, sometimes with an image seen in advance, sometimes with observation of the living world. But underneath is always the same movement: form being born out of the formless, matter in continuous transformation, searching for itself. Plaster and sand build up a relief in which the canvas surface begins to behave like living tissue: growing, pulsing, resisting flatness. The works do not illustrate biology, they attempt to bear witness to the same process that underlies life itself.”

Wlad DarabanMABIANG SENIART RESIDENCY, BALI Wlad is a senior architect currently living and working in Bali, Indonesia. Originally from Romania, he began his studies and graduated with a Bachelor Degree in Landscape Architecture from the UAUIM University of Architecture in Bucharest. He later moved to Paris, France, where he received his B.Arch. at the Ecole Speciale d'Architecture. For his postgraduate studies, he opted to relocate to London, where he completed his RIBA Part II M.Arch in experimental architecture at The Bartlett School of Architecture at UCL in 2019. 1989 | Bali “My design methodology centres upon the various ways in which individuals perceive reality, interpreting visual information through the lens of their personal psychological frameworks. However, with the pervasive presence of social media, these perceptual parameters have become homogenised, resulting in a collective short- circuiting of individualised interpretation. My work consists on digitally altering three- dimensional representations of multicellular invertrebrates found in the ocean and elsewhere in our surrounding natural environments. Current study subjects include calcified corals, sea sponges, and other skeletal structures of unalived maritime fauna.

MABIANG SENI CATALOGUE 2026 2026 photogrammetry 3d modelling cyanotype print framed 29,7x42 cm IDR 9,300,000 pelagic_critter_xyx_07 2026 photogrammetry 3d modelling cyanotype print framed 70x100 cm IDR 17,600,000 techno_critter_xy_122

2025 photogrammetry 3d modelling cyanotype print framed 42x59,4 cm IDR 11,600,000 pelagic_critter_yy_377 2026 photogrammetry 3d modelling cyanotype print framed 42x59,4 cm IDR 11,600,000 pelagic_critter_xxf_45 MABIANG SENIART RESIDENCY, BALI

MABIANG SENI CATALOGUE 2026 2025 Acrylic on canvas and gypsum box 100x100 cm IDR 40,000,000 THE ENDLESS RETURN 2 2025 Acrylic on canvas 100x100 cm IDR 40,000,000 THE ENDLESS RETURN Special CollaborationGeorge Popov | Rezky Afriza

PRIVATE COLLECTION All artworks featured in this catalogue are part of the private collection of Mabiang Seni. For inquiries regarding the collection, please contact: admin@mabiangseni.com +62 813-8301-0559 (Olen)