P o r t f o l i o .SOUSSI Ranya Ranya.soussi@e.enatetouan.ac.ma +212 6 20 23 59 91 TETOUAN - MOROCCO ENAT 2026/2027PARCHITECTURE
Soussi I’m a Fifth year architecture student at THE NATIONAL SCHOOL OF ARCHITECTURE ENAT. My design approach blends conceptual exploration with technical precision, focusing on how space can shape experience and identity. I am actively engaged in para-scholarly initiatives as an ex-president of a student club, a graphic designer, an events manager and a member of a volunteer association. These experiences have shaped my sense of leadership, visual expression, and social responsibility, allowing me to connect creativity with collective action and community impact. A B O U T M e : C O N T A C T : Ranya S O F T W A R E S : AUTOCAD - REVIT - RHINO - LUMION - D5 - TWINMOTION - PHOTOSHOP - QGISA L A N G U A G E P R O F I E N C Y ARABIC FRENCH ENGLISH SPANISHranya.soussi@e.enatetouan.ac.ma+212 620235991hay al aghrass av el haouez Nr 62 MARTIL-TETOUAN
Educational path Internships Workshops/ Competitions HIGH SCHOOL GRADUAT ARCHITECTURE STUDENT (2021 - 2027) INTERNATIONAL BACCALAUREATE – SCIENCE & PHYSICS – HIGH HONOR STUDENT IN 5 TH YEAR AT ENAT ( THE NATIONAL SCHOOL OF ARCHITECTURE ) IN TETOUAN, MOROCCO. CONSTRUCTION INTERNSHIP CONSTRUCTION INTERNSHIP AT URBAN ARCHI STUDIO (EL KENFAOUI) IN TETOUAN FOR ONE MONTH (JULY 2022) CONSTRUCTION INTERNSHIP AT TERRE DE PIERRES (ASSOCIATION REMPART) IN OPOUL-PÉRILLOS FRANCE FOR TWO WEEKS (JULY 2025) ADMINISTRATIVE INTERNSHIP (JUIN 2025) ADMINISTRATIVE INTERNSHIP AT MUNICIPALITY OF MARTIL (COMMUNE DE MARTIL) FOR ONE MONTH ARCHITECTURE FIRM INTERNSHIP (JANUARY-FEBRUARY 2026) ARCHITECTURE FIRM INTERNSHIP AT ABDELAZIZ BALLA ARCHITECT FOR TWO MONTHS. ARCHITECTURAL HERITAGE TYPOLOGY AND HOUSING ANALYSIS IN TETOUAN WITH UNIVERSIDAD CEU SAN PABLO DE MADRID WINNER OF “THE TEACHER PRIZE” AT SAINT GOBAIN ARCHITECTURE STUDENT CONTEST (2026-SERBIA)
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E N T S1SANIAT RMEL STADIUM2TETOUAN’S AGORA3SAVA THREAD IN BELGRADE4MUSEUM OF SHADOWS1234
SANIAT RMEL STADIUM11 The proposed architectural project is part of a broader vision to create a landmark facility that serves both the city and its residents. It aims to design a modern stadium complemented by a neighborhood park, integrating a variety of sports facilities and a running track that encircles the entire site.
Tetouan’s mountainsPanoramic viewCONCEPT The proposed architectural project is part of a broader vision to create a landmark facility that serves both the city and its residents. It aims to design a modern stadiumThe link Beyond its athletic function, the project seeks to act as an urban connector by establishing a pedestrian bridge and a jogging path linking the two banks of the Oued Martil, fostering accessibility, interaction, and continuity within the urban landscape
OBasement = Private: reserved for players and technical staff, with controlled access. Ground Floor = Semi-public: dedicated to the press, conference facilities, and public reception. Stands and Upper Levels = Public: organized through a progressive and hierarchical access system (VIP - VVIP - LOGES). This organization ensures efficient circulation management for players, media, spectators, and technical personnel by preventing intersecting flows, while providing comfort, safety, and functionality throughout the facility. RGANIZATIONAL LOGIC
Legend: players media Public VIP VVIP Loges Security
Basement = Private: reserved for players and technical staff, with controlled access. Ground Floor = Semi-public: dedicated to the press, conference facilities, and public reception. Stands and Upper Levels = Public: organized through a progressive and hierarchical access system This organization ensures efficient circulation management for players, media, spectators, and technical personnel by preventing intersecting flows, while providing comfort, safety, and functionality throughout the facility.
The design of the stands was carefully developed to ensure optimal visibility for all spectators. The demonstrative sections confirm compliance with the C-value standard. Consequently, the adopted seating layout and stand geometry fully meet visual comfort requirements and enhance the overall spectator experience within the stadium. C-VALUE
MASTER PLANASTER PLAN
TETOUAN’S AGORA22 Tetouan’s Agora is a living sanctuary where culture, art, and family life meet in harmony. Inspired by flowing organic forms, it invites people of all ages to gather, create, celebrate, and share moments together. Beneath its luminous curves, stories are exchanged, creativity awakens, and everyday life becomes a collective experience.
MORE THAN A CULTURAL CENTER, IT IS A WELCOMING HEART FOR TETOUAN, A PLACE TO CONNECT, TO DREAM, AND TO BELONG.
The theater unfolds beneath a flowing sculptural roof, where the audience is distributed through an original cascading seating arrangement that wraps the stage, creating an intimate and immersive connection between performers and spectators.
SAVA THREAD BELGRADE33 The project is located in belgrade the capital of serbia a city of contrast,energy and history From thread to territory, the same order emerges. Repetition and geometry shape both embroidery and the urban fabric of Belgrade, where patterns shift, repeat, and adapt over time. Embroidering a place for athletes by translating this concept into our master plan generating a site- specific pattern, extending connections to the city and along the waterfront, and structuring visual axes that link to the renovation project, while responding to topography, wind, and sun
REPETITIONHARMONIZATION OF THE URBAN FABRICREPETITIONGENERATED MASTERPLANFROM CULTURAL PATTERN TO URBAN MORPHOLOGY MASTERPLAN CONCEPTREPETITIONGEOMETRIC SHAPESGEOMETRIC SHAPESGEOMETRIC SHAPESGEOMETRIC SHAPESThe master plan is inspired by traditional Serbian embroidery, whose geometric repetition and harmony resemble the patterned urban fabric of Belgrade. This shared logic is translated into our adaptive urban layout responding to our site’s topography, climate, and circulation.
S A V A R I V E RS A V A R I V E RS A V A R I V E RAthletes accomodationService BuildingSport fieldsS A V A R I V E RFUNCTIONAL ZONINGPATTERN GRIDACCESS VISUAL & CONNECTIONBUILT VS. VOID DEFINITIONARCHITECTURAL MASSINGINTERNAL CIRCULATION : THE THREAD2GSPublisherVersion 0.0.100.100ACCESS, PATTERN, ZONINGLink with the japanese GardenCycling & Walking PathS A V A R I V E RVisual Axis onto the renovation projectPATTERN GRIDVisual Axis onto the renovation projectMain athletes entrancePublic entranceThe grid defines buildable areas and open voids, regulating density, ventilation, and visual permeability.Building volumes are positioned according to the grid to ensure coherent orientation, spacing, and program evolution.A continuous thread-like path connects buildings and open spaces, structuring internal circulation across the site.Primary access axes organize entrances, visual connections to the renovation project, and pedestrian and cycling links to the Japanese Garden and waterfront.The main axes structure the site into three programmatic zones: athletes’ accommodation, service buildings, and sports fields, arranged according to their level of privacy.A climate-responsive pattern grid is generated from sun orientation, wind conditions, and site geometry, inspired by Serbian patterns.45136S A V A R I V E RNIMPLEMENTATION STRATEGIES
AXONOMETRIC VIEW
CIRCULAR PROTECTIVE OVERHANGThe window becomes a space to occupy, a thickened threshold where one can sit, between interior and exterior.FROM BIOMIMETIC INSPIRATIONThe nest as a spatial principle, a circular, enveloping and protective form, open to the outside.TO HABITABLE WINDOWINTEGRATED CLIMATIC DEVICESEASONAL PROTECTION A circular overhang regulates solar exposure, shading in summer and permitting sunlight in winter.OPERABLE VENTILATION LOUVERSTHE INHABITABLE BASE The thickened lower section provides a comfortable seating threshold between interior and exterior.MINIMAL OPENING Operable louvers are partially rotated to allow controlled airflowFULLY OPEN Louvers are fully opened to maximize wind and daylight penetration into the space.WINDOW NESTBETWEEN SHELTER AND AIRFLOW
8.50 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m4.25 m8.50 m8.50 m8.50 m8.50 m8.50 m8.50 m8.50 m8.50 mINHABITING THE FAÇADE
HOUSING FLOORPLANSONE MODULE, MULTIPLE LIVING SCENARIOSBATHROOM 3,559 m2BEDROOM 10,378 m2LIVING SPACE 11,891 m234 m2BATHROOM3,707 m2BEDROOM 10,382 m2BALCONY 5,000 m2LIVING SPACE 7,888 m234 m2BEDROOM 22,943 m2BALCONY 5,000 m2BATHROOM 3,358 m2LIVING SPACE23,152 m268 m2BATHROOM 4,620 m2BEDROOMLIVING SPACE 21,411 m234 m2SINGLE BEDROOM WITH A WINDOWSINGLE BEDROOM WITH A BALCONYDOUBLE BEDROOMDISABLED ACCESS ROOM
ATHLETES HUB BUILDINGSPATIAL ANATOMY
The BridgeBICYCLE STORAGE AREAWCDISABLED WCCYCLING PATH -2nd floor-PEDESTRIAN PATHWAY -1st floor-
1 CROSSED PATHS Separate lanes for pedestrians and bicycles, ensuring smooth circulation.3 BIRD HABITATS Spaces created by the crossing serve as nesting zones.5OPENING BRIDGEAllows boats to pass while connecting the riverbanks4BICYCLE PARKING & REST AREAStegrated on both sides for convenience.2FLOW SEPARATIONClear division of pedestrian and bike traffic.CONCEPTC
MUSEUM OF SHADOWS44 More than a museum, this project is a spatial narrative. Inspired by the human journey through life, it transforms architecture into an emotional experience shaped by light, shadow, and movement. Sculpted into the landscape, the museum unfolds through organic forms and interconnected spaces that encourage exploration and contemplation. .
CONCEPT The project is conceived as a journey guided by natural light. Light filtering through the openings and carved voids leads visitors from one museum space to another, while the main entrance remains the brightest and most welcoming element. The project is designed around an oblique approach that gradually reveals the main space.C
The entrance is conceived as a living threshold. An artificial waterfall parts automatically to welcome visitors, marking the passage from reality into a symbolic realm. Beyond this threshold, a monumental void embodies the notion of life's end, while a descending path draws visitors into the museum's underground galleries. The gradual descent becomes an architectural metaphor, encouraging introspection as visitors move through the different exhibition spaces.
This spatial sequence evokes the proverb : “There is always light at the end of the tunnel” , turning light into both a wayfinding device and a symbol of hope and discovery.
The museum is organized around a central gathering space from which four distinct wings radiate, each accommodating a different exhibition theme. This organic layout creates a clear and intuitive circulation while reinforcing the symbolic unity of the museum.
The sections illustrate the museum's spatial sequence, where visitors gradually descend into the exhibition spaces through a series of interconnected volumes. Carefully carved voids introduce natural light deep into the underground galleries, creating a dynamic contrast between light and shadow while enhancing the emotional experience of the journey.
The massive forms create an overwhelming presence, making visitors feel both small and deeply connected to the architectural experience.
E A C H T R A N S I T I O N I S C A R E F U L L Y C H O R E O G R A P H E D T O C R E A T E A M E A N I N G F U L D I A L O G U E B E T W E E N T H E B U I L T E N V I R O N M E N T A N D T H E V I S I T O R , M A K I N G T H E J O U R N E Y I T S E L F A S S I G N I F I C A N T A S T H E E X H I B I T I O N S I T C O N T A I N S
M A Q U E T T E
A R T W O R K
P o r t f o l i o .Ranya.soussi@e.enatetouan.ac.ma +212 6 20 23 59 91 TETOUAN - MOROCCO ENAT 2026/2027PARCHITECTURESOUSSI Ranya