D.WONDER - Flipso

Issue July 2026

D.WONDERD.WONDERD.WONDERD.WONDERfashion Allan Gregorio Omerta MollRenari NEO. FASHION

D. Wonder Magazine is a visually appealing digital publication dedicated to contemporary fashion, art, and creative expression. It features innovative designs, talented models and exceptional photography, with a focus on avant-garde and futuristic themes. The magazine aims to put emerging artists and fashion designers in the spotlight and provide a platform for visionary works in the fashion industry. Discover the latest fashion trends and creative collaborations in our articles and editorials. BACK COVERPhotographer: Omerta Moll Model: Renari D.WONDER

D.WONDER NEO.FASHION - 6-7 Allan Gregorio Digital Artist & Creative Technologist · Interview 8-13 Mulin Chen 34-39 Photographer: Omerta Moll Model: Lucia Zavala 45- 50

D.WONDER Photographer: Omerta Moll Model: Renari 29-32 Zainab Farouk

Neo.Fashion 2026: Where the Future of Fashion Takes ShapeBerlin once again proved why it remains one of the world's most exciting capitals for emerging creativity. During Neo.Fashion 2026, the D.WONDER Magazine editorial team had the opportunity to experience three inspiring days dedicated to the next generation of fashion designers, digital innovators, and visionary artists. More than a traditional fashion event, Neo.Fashion has become a platform where education, technology, craftsmanship, sustainability, and artistic experimentation come together. Throughout the presentations, runway shows, panel discussions, and showroom exhibitions, one message became clear: the future of fashion is already here—and it is being shaped by young creators.One of the strongest impressions from this year's event was the incredible diversity of new design voices. Graduates from leading fashion universities presented collections that explored identity, sustainability, craftsmanship, innovative materials, and contemporary social issues. Every runway introduced fresh perspectives and demonstrated how fashion continues to evolve beyond aesthetics into a powerful form of storytelling. For D.WONDER Magazine, one of the highlights was the growing presence of Digital Fashion. Conversations around artificial intelligence, virtual collections, 3D design workflows, and emerging digital business models confirmed that technology is no longer an addition to fashion—it has become one of its driving forces. The Digital Fashion Panel illustrated how designers are redefining creativity through immersive experiences and virtual innovation.NEO_FASHION_SS27_Backstage_by_@defrance.images_009NEO_FASHION_SS27_Backstage_by_@defrance.images_009

Berlin once again proved why it remains one of the world's most exciting capitals for emerging creativity. During As a magazine dedicated to the intersection of fashion, innovation, AI, and digital creativity, we were especially inspired by the designers who seamlessly combined traditional craftsmanship with cutting-edge technology. These creators are not simply designing garments—they are designing new experiences, new identities, and new possibilities for the industry. Beyond the runway, Neo.Fashion created an environment where meaningful conversations could happen. Students, designers, industry professionals, media representatives, researchers, and technology experts exchanged ideas, creating valuable connections that will continue to influence the future of fashion. The event also highlighted the importance of supporting emerging talent on an international level. With participants from Germany and abroad, Neo.Fashion demonstrated that creative innovation knows no borders and that collaboration remains one of the industry's greatest strengths. At D.WONDER Magazine, we believe that tomorrow's fashion industry will be built by creators who embrace experimentation, sustainability, digital technologies, and interdisciplinary thinking. Neo.Fashion 2026 showcased exactly this new generation of visionaries. We leave Berlin inspired, excited, and eager to continue discovering the designers and digital artists who are redefining the future of fashion. The future is not waiting. It is already walking the runway.NEO_FASHION_SS27_Backstage_by_@defrance.images_009D.WONDER

D.WONDER Allan Gregorio Digital Artist & Creative Technologist · Interview

D.WONDERHow do you see your journey from a young visual artist to a globally recognized creative technologist, which stages and moments were most important for you?It started long before any screen. As a kid in São Paulo, I watched my grandmother paint everything around her, dishcloths, bedsheets, t-shirts, and that quietly taught me art can live on any surface. Losing my mother early sent me into fantasy worlds, and those became the language I still build in. At seventeen I assisted a portrait photographer, which trained my eye, and graphic design became the bridge that carried that eye into technology. When I started playing with augmented reality, everything connected: the lens, the software, the fantasy, all in one place. The turning point was realising a filter is not lesser art than a canvas, it is just a different surface. That is really what my work has always been, a mix of art and technology in whatever shape it takes.Your style combines fantasy, digital aesthetics, and social sensitivity, which sources of inspiration, people, or cultures matter most to you?My inspiration comes from things I have lived and consumed, not from one tidy source. A song, a place I passed through, something I saw or watched, a person I met, all of it feeds the work. The deepest roots are my grandmother, who showed me art needs no permission and no proper surface, and fantasy, which gave me the vocabulary, Avatar, mythology, MMORPGs, the elves and mermaids and sirens that still show up as the same escape hatches I needed as a kid. Growing up queer, and without much, gave the work its social edge, so it carries where I come from and who I am without lecturing about it. Internet culture is in there too, because that is genuinely where I live. I tend to absorb things quietly and let them resurface later, transformed into something of my own

D.WONDERHow do you choose collaborations with brands and artists: what matters more to you, creative alignment, project scale, or impact on the audience?Creative alignment, first and clearly. The question I ask is simple: do they understand what I do, and will they give the work room to be strange? A lot of it is also adapting to their vision, meeting halfway and building something together, that compromise is part of the job. The projects I enjoy most, though, are the ones where the collaborator trusts me fully with the creative process. I have turned down bigger jobs that wanted me to flatten the idea, and taken smaller ones that let me try something new. Reach is good, but it is an outcome, not a reason to say yes.Allan Gregorio · gregorio.io

D.WONDERAllan Gregorio · gregorio.io

D.WONDERHow has your relationship with AR and immersive technologies changed over time: from experiment to tool, from fascination to something deeper?In the beginning AR was pure experiment, a toy I could not stop playing with. Then my first filter hit 200,000 views in a little over a week, and that changed how I saw it. I work across different kinds of art, and AR was the first medium that gave me that fast reach, the first time I really felt the impact a piece could make on social media. After that I started noticing something deeper too: people use these filters to express themselves and try on other versions of who they are. Over the years it matured into one instrument among many, alongside CGI and AI, rather than the whole point. I stay grounded about it though, because the screen is powerful but real change still happens in the physical worldWhat do you plan to develop next, more realistic digital twins, radical fantasy, new forms of social interaction in AR, or something else entirely?Honestly, what I want most is to keep doing the work I love and collaborating with brands. Living as an artist and sustaining it is not easy, you are always reinventing, recreating, looking for different perspectives. Just navigating that is its own kind of development. Lately I have been experimenting a lot with AI, not as a replacement but as a way to improve and push the work further. Where it goes next matters less to me than staying curious and able to keep makingAllan Gregorio · gregorio.io

Allan Gregorio · gregorio.io

Stylist/Creative Director/Retoucher/Photographer: Saskia Mae Creative Collective: Saskia Mae Studios Lighting Technician/Production Assistant: Leonie Wassermann Makeup Artist/Hair Stylist/Lighting Assistant: Dora Gao Model: Christine @FAD MODELS Wardrobe Credits: LOOK 1 Dress: ZaraD.WONDER “The Divine Inner Child” Editorial photoshoot, adds a layered discussion on modern beauty standards and culture. This storyarc style photoshoot follows a POC women, struggling to fit in within society due to her elaborate hair. Her direct contrast to the slick back hair movement derving from ‘quiet luxury’ and ‘clean girl aesthetic’ trend, makes her feel devalued in perception of femininty, adulthood and beauty. The storyarc covers three stages: 1. Trapped, 2. Performance and 3. Freedom. The overall shoot aims to provide commentary on beauty standards as a whole, which often derive from extremely westernized points of view and how individuals perform the trend to be percieved as an aspirational standard. Accepting what you have, and becoming whole. Allowing your playful inner child through your energy makes you so much more free, but also enchanting to percieve. The photoshoot aims to encourage viewers to embrance their inner children and use that energy in cultivating their divine inner self. Elegance is not conformity neither is the energy of the feminine. Never diminish your light. Your inner child.

PINK SOCKS, FIVE WAYSA pop of pink. A world of style. Five modern looks that prove the smallest detail makes the biggest impact.F A L K E01THE TAILORED LOOKCroped trousers, clean lines, polished loafers. Classic black, unexpected pink.SUMMER EDITION 2026D.WONDER MAGAZINE01

THE RELAXED ESSENTIALSoft knits, easy layers, suede derbies. Understated and effortlessly refined.THE MODERN CLASSICCrisp white shirt, straight-leg denim, timeless loafers. Simple. Sharp. Always works.THE TONAL LAYERShades of beige and cream, textured layers, tonal depth. Pink brings it to life.THE EVENNING EDITAll black, all intention. Minimal, refined, and that flash of pink—unforgettable.D.WONDER MAGAZINE02030405

D.WONDER Dive Into Ocean-Inspired Jewelry: From Up-cycled Shells to Gilded Masterpieces

ReggieReggie DavisDavis Reggie DavisEmbracing the Ocean’s Gift: The Rise of Ocean-Inspired Jewelry Few adornments capture the boundless beauty of nature quite like ocean- inspired jewelry. At Bones & Stones—a San Francisco-based BIPOC, eco- friendly jewelry brand—we transform the ocean’s treasures into wearable art while preserving cultural heritage and promoting sustainability. This post delves into the allure of upcycled shells, their transformation into gilded masterpieces, and how our creations tell powerful stories that connect you to both the earth and the hands that shaped them.The Allure of Ocean Gems: Shells Reimagined Shells have long been used in jewelry across various cultures, symbolizing beauty, transformation, and the eternal connection between land and sea. At Bones & Stones, our artisans source shells from sustainable origins—often salvaged or upcycled—ensuring no harm to marine ecosystems while breathing new life into each piece.

Accessory Designer: Reggie Davis Wardrobe Credits: Clothes Horse D.WONDER

Photographer: Omerta Moll Model: Renari D.WONDER Flowers and Dreams

Photographer: Omerta Moll Model: Renari D.WONDER

Zainab Farouk D.WONDER

Mulin Chen D.WONDERCity, malfunction

Mulin Chen D.WONDER“City, malfunction” is a visual exploration of a parallel, distorted metropolis where the raw, gritty atmosphere of late 20th-century New York intersects with the invisible presence of modern artificial intelligence. Inspired by the analog textures and rain-slicked streets of New York City in the 1980s and 90s, this series captures the friction between a nostalgic past and a simulated future.

Mulin Chen D.WONDERBy grounding surrealist, machine generated anomalies within low-quality, retro-feeling imagery, the work creates an unsettling yet intriguing visual impact. Everyday urban scenes bend under the weight of algorithmic interference: newspapers warp into fluid, dynamic distortions; while human figures dissolve into data streams and neon reflections across. In this world, the system hasn't just integrated into the daily life of every New Yorker - it is actively glitching, forcing us to question where the memory of the city ends and the simulation begins.

Mulin Chen D.WONDER

Photographer: Madiha Abdo Photographer: Photographer, Designer And Stylist - @Madiabdophotography Makeup Artist - Emma Rose Models - Elisha Grodin, Sarah Jessen, And Rebecca MellorD.WONDER

Photographer: Madiha Abdo Photographer: Photographer, Designer And Stylist - @Madiabdophotography Makeup Artist - Emma Rose Models - Elisha Grodin, Sarah Jessen, And Rebecca MellorD.WONDERWhen creating photographic images featuring female subjects I endeavour to create artworks, often with mystery touch, likely to attract the viewers’ attentions and curiosities, regardless of their gender. I particularly enjoy visualising the viewer’s looking at my works with some perplexities and perhaps making unspoken questions about my eventual intended messages. I leave viewers to indulge into their fervid speculations.

Photographer: Omerta Moll Model: AntonioD.WONDER

Photographer: Omerta Moll Model: Lucia ZavalaD.WONDER

PhotPhotographer: Omerta Moll Model: AntonioD.WONDER

Photographer: Omerta Moll Accessory Designer/Model/Fashion Designer: Marco Cortés Model: Jose Ulises Gonzalez SoberanisD.WONDER

D.WONDER Photographer: SeigarSeigar is a passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. His aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips, encounters, and experiences. He is a fetishist for reflections, saturated colors, curious finds, and religious icons. His most ambitious projects so far are his Plastic People, a study on anthropology and sociology that focuses on the humanization of the mannequins he finds in shop windows all over the world, and his Tales of a City, an ongoing urban photo-narrative project (taken in the UK, mostly in London). He is a philologist and works as a secondary school teacher. He is a self-taught visual artist, though he has done a two years course in advanced photography and one in cinema and television. He has participated in various festivals, exhibitions, and events, both individually and collectively: FotoNovember TEA, TenDíez, Círculo de Bellas Artes, Phe Gallery, Institute of Hispanic Studies, Castillo de San Felipe Cultural Space, ULL Rafael Ramos García International Photography Awards, Tank Festival, Sala Fleming Art Gallery, The English Library (Puerto de la Cruz), San Rafael en Corto (Gran Canaria), Cohete (Toledo), Poetry Café (London), Loosen Art Gallery (Rome), Haze Gallery (Berlin), International Forum of Performance Art (Drama, Greece), Satellite Art Show (New York), Immemory Online Exhibition (New York), Lodger Gallery Online Exhibition: The Uninvited Guest (Kansas), Can you hear me? Online Exhibition (Turkey), Art City Bologna presented by Mock Jungle (Bologna), Doré Art Collective Culture Virtual Group Exhibition (Atlanta, Georgia), 3D Fashion Gallery: Be There in the Morning (California) among others. His work has been published in numerous national and international magazines: PhotoVogue, VICE Spain, WAG1 Mag, Blanc Magazine, Mordant Magazine, Feroce Magazine, Art of Portrait, Mob Journal, Prolific Quarterly, Dodho Magazine, Pepper Magazine, Shuba Magazine, Rey Magazine, Style Cruze Magazine, Arts Zine, Creativ Magazine, Marika Magazine, Top Posters Magazine, Gerbera Magazine, Red Hot Monde Magazine, Sguardo Art Magazine, Horizont Magazine, DNA Australia Magazine, Art About Magazine, Knack Magazine, Bloom Magazine, and others. He writes for Dodho and The Cultural about pop culture. Lately, he has experimented deeply with video art forms and collages. His last interests are documenting identity and spreading the message of the Latin phrase Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He also shares art and culture in his new blog: Pop Sonality. . About José Luis Seijas García (Seigar).

D.WONDER The Tales series is the definitive showcase for my travel and street photography. Through these visual narratives, my primary goal is to channel the essence of the Latin aphorism Carpe Diem. To me, it signifies an awakening—a call to embrace life to its fullest. While enjoying existence is vital, prioritizing self-care is equally essential: nourishing our bodies, staying active, and allowing ourselves proper rest. I have come to realize that two fundamental steps can elevate our well-being, transform our lives, and deepen our relationship with ourselves and our daily routines. First, we must listen to our inner selves, reflecting on the discoveries made within our thoughts and internal monologues. Second, we must practice mindfulness regarding how we think, speak, and act toward ourselves. Our inner dialogue matters; it should be kind, nurturing, and ultimately the very best version of what we have to offer. These concepts are deeply interconnected. I am also profoundly captivated by the concept of freedom. The ongoing discourse surrounding censorship and cancel culture frequently brings to mind the image of a caged bird with its doors flung wide open—it is entirely free to fly. So, let us fly! Let us take decisive action instead of dwelling in complaint. If only we recognized the immense power we hold in our own hands—it is entirely up to us. We make the choices. We are free, each of us, as individuals. This metaphor extends far beyond censorship; it applies to every facet of existence. How often do we postpone our dreams, waiting for validation from someone else—or worse, from "the system"? The cage doors are wide open; just go for it! Another profound lesson I have gathered—not only from my travels but also from observing daily life (for one does not need to venture far to witness human nature)—is that despite our superficial differences, the core elements of life unite us. I have realized that the vast majority of people are beautiful souls, brimming with shared warmth and incredible potential. Yet, this perspective on humanity stands in stark contrast to the narratives spun by the media. It forces me to question: why is that? I leave you with this inquiry. Reflect upon it and draw your own conclusions. Enjoy Tales of a City!Instagram: instagram.com/jseigar Website: seigar.wordpress.com Portfolios/Albums: flickr.com/photos/theblueheartbeat/albums Blog Pop Sonality: instagram.com/popsonality

D.WONDERInstagram: instagram.com/jseigar Website: seigar.wordpress.com Portfolios/Albums: flickr.com/photos/theblueheartbeat/albums Blog Pop Sonality: instagram.com/popsonality

dwonderstudio@gmail.comImpressum Angaben gemäß § 5 TMG: Liudmyla Elle Podolska Einzelunternehmerin Design, Redactor in magazine & Creative 📍 Gartenweg 2 16515Oranienburg Deutschland© 2026 D.WONDER Magazine. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means without prior written permission of the publisher. All images and texts are published with permission of the respective creators.Affiliate Disclosure This website and magazine participate in affiliate marketing programs. Certain links, advertisements, products, and recommendations featured on this platform may be affiliate links. We may receive a commission or compensation if purchases or actions are made through these links, at no additional cost to the user. All editorial opinions remain independent and are based on our own creative and commercial selection process. Sponsored content, paid collaborations, and affiliate partnerships are disclosed in accordance with applicable EU and German advertising and consumer protection regulations.

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