PORTFOLIOPORTFOLIO a r c h i t e c t u r a la r c h i t e c t u r a l THRISHA CAMILLE ENRIQUEZ BSA 5A ILOILO SCIENCE AND TECHNOLOGY UNIVERSITY
p o r t f o l i o TABLE OF CONTENTS INTRODUCTION ACADEMIC BACKGROUND PORTFOLIO OF WORKS 1 2 3 residential 6-7 waiting shed 8 lighting & Acoustics 9 ilawud seafood bistro 10 KAING-IN: RAINWATER HARVESTING altoregatta 11-12 13-14 tigum 15 manual plates 16 FUTURE GOALS 17REFLECTION CONTACT INFORMATION 18 19
p o r t f o l i o INTRODUCTION 1 Architecture is more than the construction of buildings; it is the art of sculpting spaces that bridge human experience, cultural identity, and environmental resilience. I chose this field because I am driven to create meaningful change within my community. My goal is to provide sustainable solutions to our country’s urban planning challenges, ensuring that our designs not only protect the natural environment but also inspire future generations to see the transformative power of architecture. I believe that architecture and landscape design should function as living, adaptable systems capable of mitigating environmental vulnerability. Throughout my five years of study, my design philosophy has remained rooted in the conviction that contemporary architecture must honor and evolve from local cultural identity and vernacular wisdom. By weaving traditional motifs, indigenous spatial patterns, and local materials into modern frameworks, I aim to create spaces that resonate with a community’s heritage while effectively addressing modern demands. My approach is simple: architecture should not disrupt a landscape; it should amplify its narrative and foster a deep, lasting connection between the user, their culture, and the built environment. My work is inspired by the intersection of Filipino tradition and environmental resilience. By combining cultural narratives with sustainable strategies—such as passive cooling, the use of local materials, and climate-adaptive planning—I strive to design spaces that honor our past while safeguarding our future. This portfolio serves as a comprehensive record of my growth, academic milestones, urban design research, and community-centric projects over the past five years. It demonstrates my commitment and readiness to bridge Filipino identity, environmental responsibility, and modern practice as a future architect.
TERTIARY SECONDARY ELEMENTARY 2010-2016 3rd year 4th year p o r t f o l i o BACKGROUND ACADEMIC EDUCATION ILOILO SCIENCE AND TECHNOLOGY UNIVERSITY BS ARCHITECTURE 2022-2027 CABATUAN NATIONAL COMPREHENSIVE HIGH SCHOOL SENIOR HIGH SCHOOL (2020-2022) WITH HONORS JUNIOR HIGH SCHOOL (2017-2020) WITH HONORS P. MUYUELA ELEMENTARY SCHOOL THIRD HONORS 2 1st year ARCHITECTURE JOURNEY Focuses in manual drafting, freehand sketching, and still life drawing. Equipped with foundational knowledge in freehand sketching and standard floor plan drafting, alongside formal instruction in the effective application of interior color schemes. 2ND year We learn how to conduct site analysis and create site development plans. While we still do manual drawings for architectural history and visual design, we are also taught to apply tropical and environmentally sensitive design principles. We have started learning rendering software and digital design. Our coursework focuses heavily on group presentations and teamwork, with a shift toward urban planning and sustainable design strategies. We are preparing for our individual pre-thesis projects. Our plates involve a combination of digital renders and collaborative teamwork. Additionally, we are receiving more intensive guidance in architectural design and planning. software skills AUTOCAD Throughout my four years of architecture experience, I have learned to use the following software: REVIT CANVA
PORTFOLIO OF WORKS TWO-STOREY RESIDENTIAL WAITING SHED 3 BEDROOM ACOUSTICS CONFERENCE ROOM ACOUSTICS DIGITAL RENDERS
PORTFOLIO OF WORKS ILAWUD (SEAFOOD BISTRO) KAING-IN: RAINWATER HARVESTING ALTOREGATTA INTERIORS SENTRO TIGUM: MULTIPURPOSE COMMUNITY CENTER 4 DIGITAL RENDERS
PORTFOLIO OF WORKS VISUALS 5 MANUAL PLATES HISTORY
two-storey residentialTWO-STOREY RESIDENTIAL THE CONCEPT This two-storey residence draws from the Japandi style - a refined synthesis of Japanase and Scandinavian minimalism. This design employs a cohesive neutral palette and clean lines to create an atomosphere of serene sophistication and simplicity. INTERIORS LIVING AREA FAMILY AREA BALCONY 6
ELEVATIONS FRONTREARLEFTRIGHT 7FLOOR PLANS GROUND FLOOR PLAN SECOND FLOOR PLAN
two-storey waiting shedTHE CONCEPT : Conch Shell primarily serving as a vital exoskeleton or protective housing, shells shield animals from physical predators, mechanical impacts, and harsh environmental weather elements such as extreme heat, desiccation, and heavy rain 6 Inspired by the organic geometry and natural defense mechanisms of a conch shell, this waiting shed functions as a resilient thermal and structural shelter. Designed to protect commuters from severe weather conditions such as intense tropical heat and heavy rainfall, the architectural form merges biomimetic protection with civic utility, offering a safe, shaded, and weather-resistant transit hub. The natural spiral of the conch shell creates the overall form The spiral is extruded to create a usable space for shelter. Curved panels follow the flow of the ribs, forming a protective shell. Details like seating, opening, and finishes enhances comfort and aesthetic. 8
two-storey lighting & acousticsTHE CONCEPT : Conch Shell primarily serving as a vital exoskeleton or protective housing, shells shield animals from physical predators, mechanical impacts, and harsh environmental weather elements such as extreme heat, desiccation, and heavy rain This 4x5 master bedroom is thoughtfully designed for both comfort and sophisticated style, where modern elegance meets victorian charm. The lighting is meticulously planned to enhance the mood and functionality of the room. Recessed ceiling, acoustic wood panels, thick curtains and cushion walls are subtly integrated into the design. Minimizing noise and creating a tranquil haven, rich, dark wood accents, combined with light-painted walls. 8 9The conference room integrates high-performance acoustic ceiling baffles to absorb airborne sound and reduce reverberation, paired with specialized multi-density flooring materials to minimize impact noise. This multi-layered approach ensures optimal speech clarity, sound isolation, and a controlled acoustic environment essential for professional collaboration.
two-storey ilawudSEAFOOD BISTRO THE CONCEPT INTERIORS This structure is also based on the overlapping segments of the crabs swimming legs modified through design transformation. 10 FRONT
two-storey kaing-in Implementing a modern RWH system in Barangay Caingin is essential to capture this abundant rainfall, providing a reliable, supplementary water source for irrigation and sanitation. This transition supports sustainable water management, reduces reliance on public supply, and strengthens the community's resilience to water shortages. 6 A PROPOSED RAINWATER COLLECTION SYSTEM FOR THE SELF-SUSTAINING COMMUNITY GARDEN OF CAINGIN, LA PAZ, ILOILO CITY15.39 m 14.48 m 16.37 m 10.65 m PROPOSED NURSERY SITE DEVELOPMENT PLAN 11
ELEVATIONS FLOOR PLANOverflowDrip SystemMain Water LineOverflow FRONTREARLEFTRIGHT PLUMBING LAYOUT1. DOWNSPOUT 2.2 X 2000L WATER TANK 3.FAUCET WATER BIB 4.OUTLET 5.INLET 6.OVERFLOW 7.PUMP 8.DRIP SYSTEM 12
two-storey altoregattaPROPOSED 50-STOREY MIXED USE BUILDING AT MEGAWORLD BOULEVARD, MANDURRIAO, ILOILO THE CONCEPT Altorregatta is a landmark 50-storey mixed-use development strategically situated along the prestigious Megaworld Boulevard in Mandurriao, Iloilo City. As the city undergoes a modern renaissance—transitioning from its colonial roots into a premier Philippine metropolis— Altorregatta emerges as the definitive symbol of this "Festive Wave" of development. INTERIORS RESIDENTIAL UNIT HOTEL LOBBY RESIDENTIAL LOBBY 13
1.Core 2.Public Rest Rooms 3.Customer Service 4.Appliances & Electronics 5.Kitchenware & Decor 6.Cosmetics & Accessories 7.Women’s Clothing 8.Sports and Shoes Section 9.Kid’s Apparel 10.Men’s Clothing 11. Toys Section 12.Stationary 13. Cashier 14. Mall Parking FLOOR PLANS 14 2ND Floor: Mall (Department Store)1123456799101111121288 11TH Floor: Hotel Lobby 1.Core 2.Reception 3. Coffee Shop 4.Food Hall 5.Multipurpose Hall 6. Security/ Control Room 7. Janitor’s Room 8. Storage & Luggage Carts 9.Restrooms 10.Conference Room 11.Offices 12.Employee’s Room 17th-24 Floor Plan: Residential Units th 1.Core 2.Fire exit stairs 3.Lounge 4. Single Bedroom Unit 5.Two Bedroom Unit
two-storey tigum A community center is a building where residents gather for social, educational, and recreational activities. These spaces act as multifunctional facilities, accommodating a wide array of activities such as cultural events, educational programs, recreational , and social gatherings.· the purpose is to establish a multi-functional, inclusive facility that directly addresses the municipality's lack of public infrastructure by providing dedicated spaces for civic collaboration, cultural preservation, and indoor sports development, thereby enhancing the socio-cultural and physical well-being of the community. design evolution 6 15 A Proposed Multipurpose Community Center in Cabatuan
MANUAL PLATES 16
REFLECTIONS 17 ARCHITECTURE IS NEVER EASY! That’s all I can say about this course. Every year in architecture comes with its own challenges and new lessons. Like they say, architecture is not for the weak. It takes you 5 years to survive this course, and every single year gets harder and harder. They really push us to become great and good architects in the future. The biggest thing I've learned since entering architecture is discipline—discipline with time, with myself, and with other people. Architecture tests your passion and patience with every single plate you make. It tests how you squeeze your brain for new ideas and how you spend whole days working on your plates. Another huge lesson I learned is collaboration. Tasks become easier when you help each other out. Architecture is also a team effort; it takes individual ideas and brainstorming skills. Teamwork is a must in architecture. I’ve made it through 4 years of architecture challenges because of my discipline and self-passion. Architecture was my very first choice, and no matter how hard it is to survive, I have no regrets. It feels so amazing to slowly fulfill your dreams. My friends are also a huge help to me. They are the reason why this course became fun and enjoyable. We help one another, and there is no competition between us. Lastly, of course, with the support and love of my family—they are the foundation of why I want to pursue architecture. I want to be the first architect in our family, and I want to make them proud of everything I do.
FUTURE GOALS 18 I vision myself as an architect who grows—an architect who just keeps on growing. I see myself as an aspiring architect who can bring change to the community. By growing through every project I do, the people I meet, and the stories and culture of a community, that is where real progress starts: from learning and exploring, all the way to integrating it into the design. That is how you show and satisfy every client—by knowing the story of the people, the culture, and the environment. If I become an architect, most of my work will probably be rooted in culture and heritage. I want to incorporate rich Filipino history into my designs. It’s another way to bring our culture and history back to life for the new generation. Most importantly, protecting nature matters a lot to me. I always aim for sustainability in the designs I make, because protecting the environment means protecting the people. As a future architect, one of our goals is to bring change to people's lives by prioritizing their security, privacy, comfort, and health. Because for me, the best structure is a structure that everyone deserves.
CONTACT INFORMATIONCONTACT INFORMATION Phone Number: (+63)938 478 1643 FB: Thrisha Camille Enriquez Email: thrishaenriquez@gmail.com Phone Number: (+63)938 478 1643 FB: Thrisha Camille Enriquez Email: thrishaenriquez@gmail.com THRISHA CAMILLE ENRIQUEZ “As an architect , you design for the present, with an awareness of the past for a future which is essentially unknown. “ -Norman Foster 19
17