Architectural Design Portfolio Collection of works 2023-2026 Kidnaya Nazariby
02 Curriculum Vitae Who I am Kidnaya Nazari Kidnaya Solichah Nazari 6th semester Architecture Undergraduate I am an undergraduate architecture student in my sixth semester, with experience in both individual and group studio projects. Through teamwork and participation in design competitions at university and national levels, I have developed strong collaboration skills and adaptability. These experiences have shaped me into a competent and flexible designer, ready to take on diverse challenges.
Curriculum Vitae 03What makes me About me Achievements & CertificationsName Kidnaya Solichah Nazari SMAN 7Surakarta Science major | 2020 - 2023 Universitas Muhammadiyah Surakarta Undergraduate Architecture Engineering| 2023 - 2027 23 July 2005 kidnazari@gmail.com +62 813 2825 6146 www.instagram.com/kidnayx.nazari www.linkedin.com/in/kidnaya-nazariEducationBirthdatePhoneWeb(s)Email Advanced Intermediate Beginner Skillsets Freehand sketching Stupa Award 2025 Architecture Exhibition : Halaman UNS 2025 Archfest 2025 Event Committee & Organization : Creative division Event division Public Relation division Public Relation division SinanAga’s feeds admin Solo Solo Solo Team Team Team Team Team 2025 2025 2025 2024 2024 2024 2025 v
04 Projects Storyboard Contents 06 24 34Noi Resort Jagat terra Oase Opera house
05Destination Resort Mixed use Buildings Opera Music Hall Restaurant Pocket Park Freehand sketch Curriculum Vitae Contents Noi Resort Jagat Terra Oase Opera House Deco’ Restaurant Jamuran Pocket Park Singapore buildings 03 05 06 24 34 50 58 66 Navigation 50 58 66Deco’ Pizza and bar Jamuran Pocket park Singapore buildings
06 Destination Resort Noi Resort Brief Overview Site Type Floor Area Height This project envisions a resort destination along the hills and beach of Gunung Kidul Beach, designed to accommodate hotels and private villas while fostering communal life through a vibrant beach lounge and contemporary plaza. The development aims to transform the coastal landscape into a dynamic hub where leisure, culture, and commerce converge. By integrating hospitality with communal and economic spaces, it creates a holistic environment that not only enhances visitor experiences but also supports regional growth. Prioritizing sustainability through renewable energy, water management, and green design, and enriched by digital systems for comfort and efficiency, the resort aspires to become a magnetic destination for both local and international tourists, setting a forward-looking model for adaptive coastal living. 8°08'09.3"S 110°34'23.0"E | Jl. Pantai Selatan Baron-Tepus, Desa Kemandang | 13.403 m² Gunung Kidul, DIY. Destination Resort on hills and beach, Regional growth 3.267 m² 30,38 m Project Tutor Final Exam I 3th semester Ar. Erwin Herlian, S.T., M.Ars, IAI Solo Project
07Overall Elevational Design : Serenity
17.00 11.25 05.20 08 Analysis Site 26 28 30 0 0 0 C Sunpath Wind View Noise Drainage Vegetation 16 14 12 km/h sea and sunset view blocked by a hill and local forest high mid low noise following the contour The site is oriented southward, opening directly toward the vast expanse of the sea, and strategically positioned along Jalan Pantai Watu Kodok. Its location within the local economic sphere establishes a strong connection to community livelihoods, while simultaneously functioning as a natural recreational destination for both domestic and international visitors. Existing
Design Development 09 01 Zoning 02 Massing 03 Circulation Semi public Privat Public
10 The Site Masterplan Main Lobby Hotel Suite villla Plaza Beach Club Mosque Parking lot 0 15 01 02 03 04 05 06 07 01 02 03 06 05 04 07 45 75
11Elevation and Section The facade presents a modern composition with layered volumes, expansive glazing, and landscaped surroundings. The integration of palm trees and open green areas emphasizes a tropical identity, while the building’s central mass establishes a strong visual presence on the site. Front Elevation The sectional drawing reveals the spatial hierarchy across multiple floors, highlighting vertical circulation and the relationship between interior spaces and outdoor terraces. Front Section
12 A view of the Receptionist The waiting room emphasizes interiority through its circular desk as a central focus, complemented by sculptural columns and layered ceiling elements that create a harmonious and welcoming atmosphere. Receptionist : waiting room This waiting area is designed to evoke both grandeur and tranquility. The soaring ceiling creates a monumental impression and expands the spatial perception, immersing visitors in a lofty and dignified atmosphere. Meanwhile, the large glass wall facing the garden establishes a direct connection with nature, offering an open and refreshing ambiance. The combination of the high ceiling and transparent glazing makes the waiting experience more relaxing, with natural light and greenery soothing the mind and reducing fatigue.
Design Development 13 The process begins with a simple rectangular prism, serving as the fundamental mass to establish proportion and orientation. 01 Basic form The mass is modified into an angular polyhedron, reflecting the layered and faceted qualities of a mollusk shell. 02 Transformation A cylindrical element is added, symbolizing the organic growth of the shell, creating a more dynamic and iconic composition 03 Integration The waiting area is designed with a split-level concept to create a distinctive and dynamic spatial experience. The variation in floor levels introduces diverse atmospheres while forming more intimate zones, allowing users to feel relaxed and comfortable. A dark-toned interior enhances a calm yet elegant impression, while minimalist batik ornaments add refined local character without excess. This combination results in a waiting area that is not only functional but also delivers a soothing ambience with a strong identity. split level shell shape
14 A view of the Hotel
Design Development 15 Start with separate trapezoidal units as the foundation. 01 Basic modules Arrange the modules into an arc, inspired by shell growth. 02 Curved Formation Repeat and stack the curved segments to create rhythm. 03 Repetition Combine the layers into a cohesive architectural form. 04 Repetition and Layering Nestled along the enchanting southern coastline of Java, this hotel offers an immersive experience overlooking the iconic Watu Kodok rock formation and the sweeping panorama of the Indian Ocean. Designed as a harmonious blend of modern architecture and nature, the structure embraces sustainable principles through layered terraces and integrated greenery. Guests are invited to enjoy tranquil sunsets, ocean breezes, and the poetic rhythm of the South Coast
16 A view of the suite villa
Design Development 17 Begin with two rectangular blocks placed side by side, representing independent modular elements. 01 Separation The modules are then stacked vertically, creating a unified composition and introducing a sense of hierarchy. 02 Vertical stacking This villa is designed with two floors: the first as a leisure and play area, and the second for rest. The stilt-house concept adapts to the site’s contour, applying cut and fill methods to achieve harmony with the terrain. This villa presents a serene atmosphere with the captivating panorama of Watu Kodok Beach. Each space is designed to open itself to the beauty of nature, allowing residents to feel the flow of sea breeze, natural light, and the soothing sound of the waves. sunken sofa joglo roof cantilever bedroom
18 A view of the plaza Start with rectangular blocks and a curved piece as the initial units. 01 Basic form Combine them into an L-shaped form with the curve fitted inside. 02 Integration Stack the integrated forms vertically to create a layered structure. 03 Stacking
19 The Beach Plaza design highlights exposed brick with varied roaster facades, serving as a passive building strategy to harness natural sea breezes while preventing excessive heat from entering the interior. These facades not only function as climate- responsive elements but also create a distinctive visual rhythm. The linear composition of the design reinforces a modern aesthetic, blending functionality with elegance to establish a welcoming and contextual public space by the coast. Beach Plaza The entrance design emphasizes linear harmony through consistent geometric elements, while the wide openings facilitate smooth access in and out of the building. These expansive openings also allow natural sunlight to reach the terrace , creating a bright and welcoming atmosphere. The combination of linear composition and generous openings results in an entrance that is both elegant and highly functional.
20 A view of the beach club pavilion
Design Development 21 The Beach Club Pavilion is envisioned as a cultural and recreational landmark that harmonizes architecture with its tropical landscape. The design draws inspiration from organic forms, expressed through a sweeping canopy structure that evokes natural shelter while celebrating craftsmanship. The woven, timber-like canopy rests on columnar supports reminiscent of tree trunks, creating a spatial dialogue between built form and nature. At the heart of the pavilion lies a circular platform, functioning as a communal stage for gatherings, performances, and social interaction. The surrounding open plan fosters permeability, encouraging fluid movement between interior and exterior spaces. Tropical vegetation and landscaped gardens integrate seamlessly with the architecture, reinforcing the sense of place and ecological sensitivity. The shell form is articulated through sweeping arcs and layered surfaces, creating a spatial envelope that suggests protection and openness simultaneously. 01 Morphology The curvilinear shell structure is juxtaposed with orthogonal blocks, establishing a dialogue between organic and geometric order. 02 Integration The pavilion’s architectural language emphasizes biophilic design principles with organic geometry, natural materials and contextual integration while maintaining functional clarity. It serves not only as a leisure destination but also as a symbolic gesture of unity between human activity, cultural heritage, and the coastal environment. Beach Club Pavilion gazebotoilet floating stage sunken seating area front desk
22 A view of the beach club
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24 Mixed use Buildings Jagat Terra Brief Overview Site Type Floor Area Height Project Tutor This project envisions a mixed-use development in Sleman, Yogyakarta to overcome housing land constraints while fostering productivity across entertainment, commercial, and residential wellness sectors. This project envisions transforming a vacant plot in central Sleman into a vertical residential complex of apartments integrated with retail and office spaces. Designed as a dynamic mixed use ecosystem, it merges living, working, and shopping in one cohesive environment. Prioritizing sustainability through renewable energy, rainwater harvesting, and green spaces and enhanced by digital systems for comfort and efficiency, the development aims to be a forward-thinking model for adaptive urban living. 7°44'57"S 110°21'51"E | Jl. Ring Road Utara, No. 19 A CC | 10.470 m² Sleman, Yogyakarta. Residential apartments, retail and office mixed-use 21.868 m² 62 m ( basement included ) Final Exam I 4th semester Ir. Samsudin R, M.Sc Solo Project
25Overall Elevational Design : Sustainability
26 The site orientation stretches from south to north, directly bordering the Ringroad Utara highway on the southern side, with nearby residential areas on the eastern and northern sides, and Sinduadi field on the western side. In addition, several commercial centers are located in the surrounding area.The site was selected based on access and existing condition analysis, which is considered strategic due to its location in the center of Sleman city. Existing Access to the site is facilitated by two main routes: the Ringroad Utara highway from the south and an underpass from the west. These connections ensure smooth traffic flow and enhance the building’s visibility, positioning it as a prominent architectural landmark in the heart of Sleman. Accesibility In response to the site's environmental conditions, several bioclimatic strategies were identified as the basis for developing the building design and massing. Bioclimatic Responses 80 24 40 The Site
Design Development 27 The initial composition takes the form of a solid cube , serving as the foundational geometry for subsequent mass development 01 Cube 02 Mass Reduction 03 Upward Extension 04 Circulation 05 Green Space 06 Dinamic Facade 07 Final Form Mass reduction led to the emergence of distinct architectural entities, each responding to a unique directional cue. Vertical floor extension is implemented in response to the spatial complexity required. The integration of cantilevered projections on selected floors supports efficient circulation and spatial connectivity. The application of dynamic facades on all building elevations evokes a sense of vitality, reflecting both the architecture and the activities it accommodates. Green design features are incorporated to maintain ecological harmony between the building and its surroundings. The final form reflects the integration of surrounding environ- mental elements with architectural components that comple- ment each other functionally.
28 Ground Floor 01 02 03 04 05 06 Floorplan : Ground Floor Parking valley Parking basement Atrium Mall Core Retails Loading dock 80 24 40 06 02 04 01 05 03 05 05 03 05 04 02 01
Isometric Section of Building 29 Mall Rental Office Apartment Section A-A Section B-B Entertainment Productivity Residential Nature+
30 A view of the building
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+ + Biophilic Architecture 32 A view of the building
Vertical Garden+ The relationship between humankind and nature can be one of respect and love rather than domination. René Dubos 33
34 Opera Music Hall Oase Opera Brief Overview Site Type Floor Area Height Project Tutor The orientation of the Opera Hall project, planned along the southern axis of the Sudirman Central Business District (SCBD), situates the design within Jakarta’s dense urban context characterized by economic, social, and cultural functions. Conceived as a response to metropolitan demands for recreation and relaxation, the Opera Hall introduces musical harmony amid the intensity of urban life. The adopted concept, “an oasis in the desert,” symbolically represents a refuge from stress within the city’s bustle. Thus, the Opera Hall functions not only as a venue for musical performance but also as a public space that alleviates metropolitan pressures through aesthetic experience and a calming atmosphere. 6°13'39.4"S 106°48'34.9"E | Jl. Jend. Sudirman kav. 52-53 NO.LOT 6-8, | 54.000 m² DKI Jakarta. Opera Music Hall 30.793 m² 32 m ( basement included ) Final Exam I 5th semester Dr. Ir. Qomarun, M.M., IAI., IPM., ASEAN Eng. House Group Project
35Overall Elevational Design : Harmony
36 The Site 300 The site orientation stretches from south to north, directly bordering the Ringroad Utara highway on the southern side, with nearby residential areas on the eastern and northern sides, and Sinduadi field on the western side. In addition, several commercial centers are located in the surrounding area.The site was selected based on access and existing condition analysis, which is considered strategic due to its location in the center of Sleman city. Existing Access to the site is facilitated by two main routes: the Ringroad Utara highway from the south and an underpass from the west. These connections ensure smooth traffic flow and enhance the building’s visibility, positioning it as a prominent architectural landmark in the heart of Sleman. Accesibility In response to the site's environmental conditions, several bioclimatic strategies were identified as the basis for developing the building design and massing. Bioclimatic Responses 20010050
37Design Development The initial composition takes the form of a solid cube, serving as the foundational geometry for subsequent mass development The initial cubic mass is transformed through vertical addition, where a cylindrical volume is superimposed to emphasize upward articulation and spatial hierarchy. The cubic mass is reduced by subtracting a portion, creating a lighter vertical composition. The exploded diagram illustrates the spatial organization across multiple levels, highlighting circulation flows, functional zoning, and the relationship between public and support areas. Together, these elements embody a design approach that balances functionality, structural innovation and expressive form, positioning the Opera Hall as an iconic and sustainable venue for the performing arts. 01 Basic form 02 Integration 03 Substraction
38 Siteplan
Using a roof design made of Fiber Reinforced Plastic panels that applies layering (breathing roof), allowing light to enter through roof openings while preventing heat from penetrating into the building. 01 Lighting and Ventilation 02 Soil permeability and lanscaping Landscaping arrangement for optimal rainwater absorption, while also functioning as a green open space in the SCBD area. The building facade is designed by utilizing layered roofing made of Fiber Reinforced Plastic panels to create a distinctive visual experience in the SCBD area. 03 View 04 Circulation The circulation of vehicles and pedestrians has been organized to prevent congestion and conflicts between movement flows. vehicles path pedestrian path he building is positioned at the center of the site, intended to be slightly distanced from the noise of the main road. 05 Noise 39Building respons The Open Theater in the SCBD Jakarta district is designed with the adaptive architectural concept of “Adaptive Urban Canopy”, an open public space capable of responding to climate changes, diverse activities, and the evolving social needs of urban communities. The building employs a space frame structure combined with a breathing roof that can be opened or closed depending on weather conditions, creating natural airflow and thermal comfort in the tropical climate.
40 A view of the building
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42 The section The Opera Hall design emphasizes a wide-span structural system, enabling a column-free main auditorium that enhances both visual clarity and acoustic performance. The space truss structure in the Opera Music Hall at SCBD is employed to efficiently support the wide-span roof without requiring interior columns that would disrupt the spatial function. This three-dimensional framework not only provides strong yet lightweight structural integrity, but also introduces a modern industrial aesthetic when exposed beneath the polycarbonate layer. Its flexibility allows for the formation of dynamic roof geometries, while simultaneously serving as the primary framework for skylight placement in the plaza and museum areas. This integration creates a grand spatial interaction, reinforcing both the architectural identity and the experiential quality of the building. Structure in Public Space Structure in the Main Theater
43A view of the building
44 The floor plans B Main theatre Studio theatre Sushi restaurant Lounge Museum Mechanical G 1 First floor Lobby Main theatre Studio theatre Exhibition hall Concession Lounge Museum Ground floor Parking area Plumbing Mechanical Basement
45A view of the building
46 A view of the Museum
47 Daniel Libeskind Architecture is about creating spaces that live in time, bridging memory and presence.
48 A view of the Main Opera
49 Arthur Erickson Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
50 Restaurant Deco’ Brief Overview Site Type Floor Area Height Project Tutor The restaurant adopts the Art Deco theme as its primary visual identity, highlighting geometric lines, elegant curves, and contrasting colors characteristic of the 1920s–1930s. A glamorous yet modern classic atmosphere is created to deliver a distinctive and characterful dining experience. Academic simulation site | 300 m² Restaurant and bar 300 m² 6,5 m Final Exam I 2nd semester Fadhilla Tri Nugrahaini, S.T., M.Sc Restaurant Solo Project
51Overall Elevational Design : Art deco
52 The Floorplan Front desk Main dining area Sofa group Open bar Kitchen and service area Restroom Staircase 1 First floor Main dining area Sofa group Bar Outdoor lounge Mushola Kitchen and service area 2 Second floor
53Moodboard This moodboard presents a refined blend of colors and materials inspired by the Art Deco style with a modern twist. The palette of deep red, beige, dark green, and navy blue is paired with wood textures, layered fabrics, and golden accents to create a luxurious yet welcoming atmosphere. The selected furniture navy curved sofa, wooden dining table with vertical slats, upholstered beige chairs, and a gold-finished side table emphasizes elegance and contemporary character. Pendant lights with circular glass shades add a dramatic yet intimate touch, reinforcing the restaurant’s visual identity as a sophisticated and distinctive culinary space.
54 Interior Perspective The restaurant’s interior design delivers a glamorous yet intimate spatial experience through an interpretation of the Art Deco style. Elegant curves, contrasting colors, and the soft glow of pendant lighting create a warm and refined atmosphere. The bar area (as shown in the right perspective) is conceived as a social hub, highlighting textured materials and decorative details that reinforce the restaurant’s visual identity.
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56 Interior Perspective
57 Frank Gehry Architecture should speak of its time and place, but yearn for timelessness.
58 Pocket Park Jamuran Brief Overview Site Type Floor Area Height Project Tutor The Jamuran Pocket Park is conceived as an inclusive and resilient green space embedded within the dense urban fabric of Purwodiningratan. Responding to limited communal areas and declining enviro- nmental quality, the design reclaims underutilized land to create a shared, open, and sustainable public space that enhances social interaction and ecological balance. As a micro-scale intervention, Jamuran Pocket Park serves as a catalyst for community inclusivity, local activity support, and sustainable living, embodying the spirit of adaptive urban regeneration in Surakarta’s traditional settlement context. -7.563312700761186, 110.8367648010172 | Jl. Purwopuran Gg.2 | 196 m² Purwodiningratan, Surakarta. Creative economy hub 196 m² 5 m Final Exam I 6th semester Dr. Ir. Indrawati , M.T Pocket park Solo Project
59Overall Elevational Design : Playfull
60 The Site 300 Purwodiningratan is a dense urban settlement characterized by compact housing, narrow alleys, and limited open spaces. The area’s physical environment shows signs of declining spatial quality, with insufficient green areas and communal facilities. The existing built environment reflects a strong sense of community but lacks spatial integration that supports collective activities. Existing The site is accessible through a network of narrow pedestrian paths and local streets, connecting residents to nearby commercial and cultural nodes. However, vehicular access is limited, emphasizing the need for walkable design interventions. The pocket park’s strategic location within the settlement allows it to function as a connector space. Accesibility The Jamuran Pocket Park responds to the social dynamics of Purwodiningratan by providing a shared, inclusive space that encourages interaction among residents of different ages and backgrounds. It supports everyday social life children playing, elders gathering, and small community events—while reinforcing a sense of belonging. Sociological Responses 200500
61Design Development The initial composition takes the form of a solid cube, serving as the foundational geometry for subsequent mass development. 01 Basic form The cubic mass is reduced by subtracting a portion, 02 Substraction The mass is broken a down into an open grid structure, creating a porous and accessible space. 03 Mass breakdown This project explores the transformation of a simple cubic mass into an open, porous structure that celebrates local materials and natural integration. Through the use of bamboo and climbing plants, the design reinterprets the rigid geometry into a living framework a spatial dialogue between structure, landscape, and community
62 A view of the pocket park
63 Tadao Ando I don’t believe architecture has to speak too much. It should remain silent and let nature in the guise of sunlight and wind.
64 Isometric exploded Bamboo and Vine Bamboo pole Landscape The design emphasizes the use of local materials such as bamboo and natural vines, reflecting sustainable and context-responsive architecture. The isometric composition illustrates the integration of these elements across three layers bamboo and vine canopy, vertical bamboo poles, and landscaped ground creating a harmonious spatial relationship between structure and nature.
65A view of the pocket park
66 Freehand Sketch Singapore Brief Overview Site Project Tutor During the Field Study Program in Singapore, students produced a series of freehand sketches and live drawings as immediate visual responses to the urban environment. The sketches served not only as documentation but also as analytical tools helping to interpret building forms, street patterns, and cultural contexts directly on site. 1°18'52.79" N 103°50'43.47" E | Singapore Field Study Program I 6th semester Dr. Ir. Qomarun, M.M., IAI., IPM., ASEAN Eng. buildings Solo Project
67Overall Elevational Design : Modernity
68 Live sketch at Oasia Hotel Downtown
61Live sketch at Marina bay
Architecture Undergraduate Portfolio Academic works 2023 - 2026 WhatsApp +62 813 2825 6146 kidnazari@gmail.com www.instagram.com/kidnayx.nazari www.linkedin.com/in/kidnayanazari Kidnaya Nazari My journey in architecture education has been marked by several studio projects that reflect my unique perspective on space and form.